Stylus-Drag..Fact or Fiction?


Most audiophiles can't seem to believe that a tiny stylus tracking the record groove on a heavy platter could possibly 'slow-down' the rotating speed of a turntable.
I must admit that proving this 'visually' or scientifically has been somewhat difficult until Sutherland brought out the Timeline.
The Timeline sits over the spindle of the rotating disc and flashes a laser signal at precisely the correct timing for either 33.33rpm or 45rpm.
By projecting these 'flashes' onto a nearby wall (with a marker attached)....one can visualise in real-time, whether the platter is 'speed-perfect' (hitting the mark at every revolution), losing speed (moving to the left of the mark) or gaining speed (moving to the right of the mark).

RAVEN BELT-DRIVE TT vs TIMELINE 
Watch here how the laser hits the mark each revolution until the stylus hits the groove and it instantly starts losing speed (moving to the left).
You can track its movement once it leaves the wall by seeing it on the Copperhead Tonearm.
Watch how it then speeds up when the tonearms are removed one by one....and then again, loses speed as the arms are dropped.

RAVEN BELT-DRIVE TT vs TIMELINE
Watch here how the laser is 'spot-on' each revolution with a single stylus in the groove and then loses speed as each additional stylus is added.
Then observe how....with NO styli in the groove.....the speed increases with each revolution (laser moves to the right) until it 'hits' the mark and then continues moving to the right until it has passed the mark.

Here is the 35 year-old Direct Drive Victor TT-81 turntable (with Bi-Directional Servo Control) undergoing the same examination:-
VICTOR TT-81 DD TT vs TIMELINE 
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Mike, you need to get rid of both the Wave Kinetics and Saskia. Get yourself one of those Monaco 2.0 tables and put a Gabon Ebony Durand arm on it. The Gabon Ebony has seriously better timbre than the rosewood and has much lower stylus drag. And here I am stuck with this crappy Clearaudio Statement. But don't worry. I just ordered a Basis Work of Art. I can put the Statement in my Summer home in the Catskills.
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@mijostyn If you're concerned about your tonearm skipping across the LP when walking around your music room, we have bigger problems than initially interpreted!
"Any aspect of reproduced music related to time - depth, soundstage, transients, dynamics, tonality, etc. - is better or worse thanks to timing in the creation of the original signal. And no amount of downstream electronic wonderfulness can ’fix’ that signal if the turntable rotation is not accurate. These are not just technical considerations, but tangibly audible results."
Without those aspects, to me; there can be no simulacrum of any musical event and simple boredom, the result(again: to me).   Of course: ALL aspects of reproducing(or creating) music well, are dependent on accuracy, regarding time/timing.
Mike, you need to get rid of both the Wave Kinetics and Saskia. Get yourself one of those Monaco 2.0 tables and put a Gabon Ebony Durand arm on it. The Gabon Ebony has seriously better timbre than the rosewood and has much lower stylus drag. And here I am stuck with this crappy Clearaudio Statement. But don’t worry. I just ordered a Basis Work of Art. I can put the Statement in my Summer home in the Catskills
i had a Monaco 1.0 with a Dynavector arm in my system for a year back 10 years ago. very ’meh’ to my ears and far prefer the NVS to that. haven’t read Mr. Gregory’s review of the 2.0, but as far as timbre i think the Saskia is quite the king of that. neither of my tt’s are going anywhere.

’if’ i was acquiring another tt, it would be a belt drive of some sort. i already have what i consider top echelon direct drive and idler examples.

sorry, but not up to speed on what a Gabon Ebony Durand might be? please point me in the right direction and i’ll get informed. i’ve owned 4 different Durand tonearms and also own his record weight. i’ve owned 3 separate wood arm wand Durand arms, and have a wood arm Durand Telos on my NVS now with a Miyajima Premium Be Mono cartridge on it. sweet sounding arm.

i guess i could ask Joel directly about the Gabon Ebony, he is a local friend of mine. he was here in my room two weeks ago tweaking my Durand Tosca tone arm and listening to the Saskia.