@big_greg re: your new 1200
this is from the guy I was telling you about:
johnnyb533,491 posts
11-24-2015 11:18am
The Technics brings some outstanding performance parameters at low cost, such as s/n ratio (78dB weighted) and speed accuracy (wow & flutter 0.01 to 0.025%). The shortcomings, often erroneously attributed to the direct drive mechanism, are vibration damping issues and easily and cheaply fixed.
Headshell: Get an LpGear ZuPreme headshell. You can't begin to hear what the Technics can do without upgrading the headshell to a Sumiko for ZuPreme. The ZuPreme costs a lot less and is easier for mounting cartridges. Both enable you to adjust azimuth alignment.
Mat: Get a better mat, whether a Herbie's Way Excellent or a cowhide one or whatever. With the right mat, the platter won't ring when you flick it with your fingernail. I use an Oracle Groove Isolator. Long out of production, but if you come across one, snatch it up.
Get KAB's fluid damper. Don't fill the trough more than 1/3. This settles down the tonearm and enables it to track even hideously warped records.
Record Grip: Get a low cost record grip such as the one from KAB or the Clearaudio Clever Clamp. I have an earlier version of the KAB. It lowers spindle and surface noise and makes a 70g Dynaflex LP sound almost as full-bodied as a 180-200g thick one.
Oil the motor spindle.
Get the tonearm rewired with something good. I have the M5G which comes from the factory with OFC tonearm wire so I let it be. KAB's low-friction Litz wire is crazy cheap.
Wrap the tonearm with Teflon pipe thread tape. The tonearm is a hollow aluminum arm with no damping. It rings in the upper midrange and is the source of that edgy glare. Wrap it (including the knurled collar) and that upper midrange glare disappears.
The stock feet look impressive but they suck. Unscrew 'em and place the threaded sockets on the ball bearings of Vibrapod Cones. Set the Cones on #2 Vibrapod Isolators.
If you want to lower the noise floor a bit more, set your turntable on a thick maple butcher block cutting board. Place silicon gel computer keyboard wrist pads underneath.
I have had my M5G for 8-1/2 years. I gradually added these tweaks over the first few years until I got it where I like it. I routinely visit high end shops and listen to records. Although I was impressed by the Carbon DC, esp. for the money, the high torque and higher speed accuracy of the Technics DD trumps it and the vibration control tweaks mentioned above make the Technics competitive with more expensive TTs for not a lot of tweak money. Each of the above tweaks will lower the noise floor, increase dynamics, frequency extension, and especially inner detail to compete with significantly more expensive turntables.
Many cartridges work well on the fluid-damped tonearm. I've been using an Audio Technica AT150MLX to good effect for 7-1/2 years. The wood-bodied Grados get good reviews as does the Denond DL-103, especially the Zu-103 version.
this is from the guy I was telling you about:
johnnyb533,491 posts
11-24-2015 11:18am
The Technics brings some outstanding performance parameters at low cost, such as s/n ratio (78dB weighted) and speed accuracy (wow & flutter 0.01 to 0.025%). The shortcomings, often erroneously attributed to the direct drive mechanism, are vibration damping issues and easily and cheaply fixed.
Headshell: Get an LpGear ZuPreme headshell. You can't begin to hear what the Technics can do without upgrading the headshell to a Sumiko for ZuPreme. The ZuPreme costs a lot less and is easier for mounting cartridges. Both enable you to adjust azimuth alignment.
Mat: Get a better mat, whether a Herbie's Way Excellent or a cowhide one or whatever. With the right mat, the platter won't ring when you flick it with your fingernail. I use an Oracle Groove Isolator. Long out of production, but if you come across one, snatch it up.
Get KAB's fluid damper. Don't fill the trough more than 1/3. This settles down the tonearm and enables it to track even hideously warped records.
Record Grip: Get a low cost record grip such as the one from KAB or the Clearaudio Clever Clamp. I have an earlier version of the KAB. It lowers spindle and surface noise and makes a 70g Dynaflex LP sound almost as full-bodied as a 180-200g thick one.
Oil the motor spindle.
Get the tonearm rewired with something good. I have the M5G which comes from the factory with OFC tonearm wire so I let it be. KAB's low-friction Litz wire is crazy cheap.
Wrap the tonearm with Teflon pipe thread tape. The tonearm is a hollow aluminum arm with no damping. It rings in the upper midrange and is the source of that edgy glare. Wrap it (including the knurled collar) and that upper midrange glare disappears.
The stock feet look impressive but they suck. Unscrew 'em and place the threaded sockets on the ball bearings of Vibrapod Cones. Set the Cones on #2 Vibrapod Isolators.
If you want to lower the noise floor a bit more, set your turntable on a thick maple butcher block cutting board. Place silicon gel computer keyboard wrist pads underneath.
I have had my M5G for 8-1/2 years. I gradually added these tweaks over the first few years until I got it where I like it. I routinely visit high end shops and listen to records. Although I was impressed by the Carbon DC, esp. for the money, the high torque and higher speed accuracy of the Technics DD trumps it and the vibration control tweaks mentioned above make the Technics competitive with more expensive TTs for not a lot of tweak money. Each of the above tweaks will lower the noise floor, increase dynamics, frequency extension, and especially inner detail to compete with significantly more expensive turntables.
Many cartridges work well on the fluid-damped tonearm. I've been using an Audio Technica AT150MLX to good effect for 7-1/2 years. The wood-bodied Grados get good reviews as does the Denond DL-103, especially the Zu-103 version.