Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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Rachmaninov: Concerto Elegiaque for Piano and Orchestra, orch. Kogosowski.
Premier recording by Jarvi with Detroit SO.
Quite good and very interesting.  Worth a listen.
Rachmaninoff’s Cello Sonata slow movement (3rd movement:)
 music shouldnt be this beautiful.
I am listening to "Piano Trio by Schumann op63" played by Arthur Rubinstein, Pierre Fournier and Henry Szering

through Sennheiser HD 800S headphone driven by Chord Dave and Mscaler.

It sounds very intimate through headphone than speaker.
I have listened to all of Gulda's recordings, but never seen him until this:
Friedrich Gulda plays Mozart - Fantasia K397, Piano Sonatas K 333 & K576 (1995)

https://www.youtube.com/watch?v=-tXj_OsI-Z0

Recently went to a recital of the up-and-coming Ukrainian pianist Vadym Kholodenko.  Blazing technique, but lacking a little bit of heart, I thought.  His way with a Mozart Fantasia was quite analytical, pulling it apart.  Most at home and best in the Godowsky/Chopin Studies/Etudes, with displays of quite extraordinary pianism.  His left hand sounds like a minimum of other people's two (or three!).

I will admit that at one juncture I turned on the inner audiophile and listened to the sound qua sound.  I was sitting quite close.  The nouns that occurred to me were body, immediacy, and clarity, not necessarily in that order.  His bass fortissimos were resounding.  The treble was interesting.  The notes could cut through the overall sound envelope, but yet they were never astringent, just striking.  I think that this is a tightrope act that not all audio systems (or recordings?) pull off.