Stylus Profile Discussion

I will have to disagree with you about the 20degree rake angle for VTA that's far too much IMO the cutter was at 3degrees so optimally that should also be the best for the VTA of the stylus. and note that 3degrees is actually digging in to the record not pulling over it  if that makes sense, +3deg.  

I also find there is a noticeable difference between the less detailed conical to the line, shibata, etc. Its quite obvious in my system when I switch between conical and a VDH stylus.  

glennewdick

I will have to disagree with you about the 20degree rake angle for VTA that’s far too much IMO the cutter was at 3degrees ...

You seem to be confusing SRA (which should be about 92 degrees, or so) and VTA (which should be about 20 degrees, or so.)

And you are simply mistaken that a cutter head would be set at 3 degrees.

Why did Shure call its famous cartridge series the "V-15?"

"V" = Vertical Tracking Angle."15" = Nominal tracking angle, in degrees.

What about ''indirect conclusion''? Our most productive member
from Australia ( I mean productive in our forum) just demonstrated
or suggested that Sony XL 88D is ''the best '' there is. The shape
of its stylus is super elliptical. But this may also mean that stylus
shape is not as important as, say, chakster thinks. 

put a micro-line/micro-ridge on the xl88 cantilever... and then things might be different.

A cartridge is a complex system, and comparisons are difficult.
 
Only single cause analysis can bring any of it out to a point that we can begin to properly ponder.

Thus change the one thing - the stylus profile. And see what happens.

Cleeds, yes in many circles you are correct but it does depend on how you look at the angles. At any rate 92 degrees for most profiles is to close to dead vertical 70 to 75 degrees is more like it. Or 15 to 20 degrees if you look at it the way my old brain does, degrees off vertical. I'm not sure where this 92 degree thing came from perhaps they are measuring to the oncoming facet of the stylus. I'm measuring from the long axis through the tip of the stylus which I think is easier to eyeball when you set the tonearm up. If you put this axis at 92 degrees you'll almost be dragging the tonearm on the edge of the record. But I will have to review the subject to see what modern convention is.