I'd love to own Garrard 301 (in Hammertone finishing only), it's a masterpiece of design in my opinion, but the price is absolutely insane! A good plinth will double the price. Fully restored units goes for crazy money compared to many killer vintage turntables on the market, some of them are still underrated and goes for reasonable cost even in mint condition. Taking in count all the hype about Garrard 301 i doubt it's justified its price today. So many turntables to choose and i'm sure anyone can find a truly high-end machine under $3k (complete). I'm totally satisfied with a pair of Luxman PD-444 and to my eyes this is the best design, so i'm happy. Was it reviewed by the Stereophile ? Never! They may never heard of it and never tried it. I always doubt in authority of these people, some amazing products has never been on their radar while so many forum members use those less known products and raving about it.
Again, the argument about the price has nothing to do with reality. Why some new ugly turntables cost $20k+ ? I have no idea. In my world old Denon, Technics, Luxman, Victor... rules. All of them are direct drive btw. Everything from UK was twice as much in price, always, even records, especially when the exchange rate of the pound was strong. So the Garrard is a typical example of over-hyped and overpriced unit from UK. I like how it looks, but come on ...
I never completely understood the hype about audiophile pressing, the choice of music is limited, the price is high and it's all reissues. I always thought the real passion is good original pressings.
Again, the argument about the price has nothing to do with reality. Why some new ugly turntables cost $20k+ ? I have no idea. In my world old Denon, Technics, Luxman, Victor... rules. All of them are direct drive btw. Everything from UK was twice as much in price, always, even records, especially when the exchange rate of the pound was strong. So the Garrard is a typical example of over-hyped and overpriced unit from UK. I like how it looks, but come on ...
I never completely understood the hype about audiophile pressing, the choice of music is limited, the price is high and it's all reissues. I always thought the real passion is good original pressings.