I guess it’s easy to make fun of people with - say - a $25k turntable (actually modest by today’s standards) and a few dozen ’audiophile’ reissues to play. It’s even more pathetic when you realize that many of those so called audiophile pressings don’t really sound very good at all. It’s money wasted.
At the other extreme there’s the so called ’serious’ record collectors crowd, who spend their days hunting down very expensive original pressings from the golden analog age and play them on some mediocre record player. This is money wasted as well. Those pressings deliver the best possible sound quality, but you will need the highest quality level turntable (and rest of the system, obviously) to bring that out.
So the only sensible cost/benefit ratio should be found in a well considered balance of the quality of the source material and the playback equipment. Makes sense?
At the other extreme there’s the so called ’serious’ record collectors crowd, who spend their days hunting down very expensive original pressings from the golden analog age and play them on some mediocre record player. This is money wasted as well. Those pressings deliver the best possible sound quality, but you will need the highest quality level turntable (and rest of the system, obviously) to bring that out.
So the only sensible cost/benefit ratio should be found in a well considered balance of the quality of the source material and the playback equipment. Makes sense?