Zalive, if you do not like the symbals on digital recordings just focus on the bass.It's really complex, as reproduction is (the way I see/picture it) a multiplication of influences. What's unrealistic with the cymbals or other sounds located mainly in a HF range is a result of not only digital but as well the amplification. Shushurin said a long time ago that the main problem of dominantly used amplification topologies is a total distortion which rises with the frequency, so biggest issues with distortion is expected in a HF range. Bingo, that's where digital has its worst moments too. When distortion and distortion multiplies at some point it easily gets too much and psyhcoacoustics will react: HF becomes more pronounced and easily falls out of balance.
Why I'm saying this: if room acoustics (which is another issue) and amplification quality allows it, system is pretty tolerant to bit of misbehaving on the digital side as there's a headroom of quality reproduction after it and sound is easily full with nice timbre and definition accross the spectrum. So even if cymbals are not perfect it's not a big deal and it's easy to 'forget' it. However if issues multiply too much, you must do some heavy mental self-programming to forget all and enjoy :D and it's not what hi-fi should be about.
Many went to analog rigs I think as they didn't succeed in setting up a nice digital based sound. And it's not impossible to set up a really nice digital front-end system with rich, full and gentle sound. It requires care with the rest of the system, it requires quality amplification, paying attention to details and...if anyhow possible, a solid nice room acoustics (setting up speakers the correct way means 'earth and sky' difference). Because IMO it's the room acoustics which can bring too much focus on a 'digital sound', and make it more relevant than in some other circumstances.
In the end it's really easy to forget the fidelity imperfection as long as you are able to get the tonal balance completely right.