O-10, my sons and I refer to my wife (their mother) as “No.1 elf”. She loves Christmas. The house gets decorated with (tasteful) Christmas decorations in and out every year, and I must say that in spite of my mildly intolerant bemusement at all the commotion I have grown to appreciate her efforts immensely. A truly wonderful time of year that doesn’t necessarily have to be colored by others’ commercialism or others’ cynicism about it all. Keep gazing at that tree if that is what it takes to get in the spirit. I will say, however, that from my very limited vantage point you have a great deal to help you get in the spirit. Most importantly, you beat cancer! Doesn’t get much more important and positive than that. Not as important, but certainly important to you, your Jazz thread is thriving. I wish you much Christmas cheer.
The Stitt/Parker connection, or lack thereof, that you mention is one of my favorite stories in Jazz. I have commented on it a couple of times previously and the story goes that when Bird played a road gig in Stitt’s hometown, to their mutual amazement they found that their respective styles were remarkably similar. This, in spite of the fact that Stitt had never heard Bird play; not even on recordings. Fascinating. Much is correctly made of the issue of “influence” of players on one another as concerns the evolution of Jazz, but this goes to what I like to call the inevitability of evolution in Jazz. Many creative artists are always pushing the envelope and this evolution seems to take on a life of its own. Some artists are just like some listeners. Some resist the movement of the art toward something new and different and others embrace it and go with it. To a significant degree the music itself and where it is at any moment dictates where it goes next.
Schubert, fabulous “Cherokee”. One of my favorite Stitt records.
I completely understand your reaction to Shadow Wilson. Wonderful drummer. Here’s more Shadow, except on “Off Minor” and “Epistrophy” on which Art Blakey plays drums. Fascinating contrast between the two drumming styles. I know it is considered heresy to say anything remotely negative about Blakey, but this contrast is a great example of why, while I acknowledge his greatness and importance, he is not always my favorite drummer. Compared to Shadow, he sounds a little heavy handed. I prefer Shadow’s more lithe and lighter approach.
https://www.youtube.com/playlist?list=PL0q2VleZJVEk3Tmv67HXOebr_CzZwuARj
Btw, methinks you are way too modest in you assessment of your ability to assess what’s what in Jazz. You are a very musically astute listener, IMO.
The Stitt/Parker connection, or lack thereof, that you mention is one of my favorite stories in Jazz. I have commented on it a couple of times previously and the story goes that when Bird played a road gig in Stitt’s hometown, to their mutual amazement they found that their respective styles were remarkably similar. This, in spite of the fact that Stitt had never heard Bird play; not even on recordings. Fascinating. Much is correctly made of the issue of “influence” of players on one another as concerns the evolution of Jazz, but this goes to what I like to call the inevitability of evolution in Jazz. Many creative artists are always pushing the envelope and this evolution seems to take on a life of its own. Some artists are just like some listeners. Some resist the movement of the art toward something new and different and others embrace it and go with it. To a significant degree the music itself and where it is at any moment dictates where it goes next.
Schubert, fabulous “Cherokee”. One of my favorite Stitt records.
I completely understand your reaction to Shadow Wilson. Wonderful drummer. Here’s more Shadow, except on “Off Minor” and “Epistrophy” on which Art Blakey plays drums. Fascinating contrast between the two drumming styles. I know it is considered heresy to say anything remotely negative about Blakey, but this contrast is a great example of why, while I acknowledge his greatness and importance, he is not always my favorite drummer. Compared to Shadow, he sounds a little heavy handed. I prefer Shadow’s more lithe and lighter approach.
https://www.youtube.com/playlist?list=PL0q2VleZJVEk3Tmv67HXOebr_CzZwuARj
Btw, methinks you are way too modest in you assessment of your ability to assess what’s what in Jazz. You are a very musically astute listener, IMO.