I would like to jump into this Mahler pool.
My favorite M, 5th sonically is Barbirolli on EMI. Incredible detail yet warmth.
Another wonderful sounding 5th is the HDTT gold disc mastering of the 1963 RCA recording of Leinsdorf with the BSO. I think Ivan Fischer's recording of the 3rd is sonically and musically superb. Bernstein’s rendering of the 7th with the NY Phil sounds incredible to my ears and it’s my favorite interpretation.
A sleeper is Kiril Kondrashin’s performance of the 9th which I discovered many years ago on an Angel LP. It is now available from HDTT in a somewhat bright sounding but detailed recording. Again, my favorite version. Other favorites sound-wise and interpretatively are Currentzis in the 6th, Szell and Maazel in the 4th and Solti in the 8th. I also admire the work of Roth.
I must admit I’m somewhat puzzled by the seeming preoccupation on this thread with the quality of the orchestras. I would think it’s the interpretation that matters most. When I’m listening to a pianist, I’m not overly concerned about the character of his instrument. Most of the orchestras discussed here are at or near world class.
My favorite M, 5th sonically is Barbirolli on EMI. Incredible detail yet warmth.
Another wonderful sounding 5th is the HDTT gold disc mastering of the 1963 RCA recording of Leinsdorf with the BSO. I think Ivan Fischer's recording of the 3rd is sonically and musically superb. Bernstein’s rendering of the 7th with the NY Phil sounds incredible to my ears and it’s my favorite interpretation.
A sleeper is Kiril Kondrashin’s performance of the 9th which I discovered many years ago on an Angel LP. It is now available from HDTT in a somewhat bright sounding but detailed recording. Again, my favorite version. Other favorites sound-wise and interpretatively are Currentzis in the 6th, Szell and Maazel in the 4th and Solti in the 8th. I also admire the work of Roth.
I must admit I’m somewhat puzzled by the seeming preoccupation on this thread with the quality of the orchestras. I would think it’s the interpretation that matters most. When I’m listening to a pianist, I’m not overly concerned about the character of his instrument. Most of the orchestras discussed here are at or near world class.