Subwoofers and Phase Question For You Sub Experts


I use a pair of Dunlavy SC-3 speakers, known for their time/phase coherent crossover design.

When the stars align the speakers completely disappear and there’s a sense of space and 3 dimensionality that I’ve heard from few other speakers/systems. It’s easy to destroy the illusion with things like poor placement, poor setup of room treatments, etc.

Adding subs to the setup is both a blessing and a curse. The Dunlavy’s need some support in the nether regions and a pair of HSU subs do add a solid foundation to music which enhances the overall presentation; however, it’s at the expense of some stage depth, width and image dimensionality. Placing the subs a few inches forward of the front plane of the speakers helps a little but that isn’t where they perform at their best as ‘subwoofers’.
Finding optimal room positions for bass augmentation always creates a clash with the phase aspect of integration resulting in the diminished soundstage described above.
Playing with phase settings has little impact on the problem since there’s just a toggle for 0 and 180.

Which brings me to the questions - 
1/ How does running a swarm setup, with 4 subs, affect phase/time integration with the mains? Does it create twice or half the issue or remove it altogether?

2/ Looking at subs such as the JL Audio F series with auto room calibration, does the EQ algorithm compensate for any time/phase anomaly or is it simply looking for a more linear bass response?

I don’t mind investing in more sophisticated subs so long as I don’t end up with the same problem. I’m not really inclined to mess with software and the like, unless there’s no other way.

Thanks

Rooze


128x128rooze
Thank you very much, ctsooner. I am honored that Richard Vandersteen thinks the distributed multi-sub approach (which is actually Earl Geddes’ idea that I’m using with his permission) has merit. 

Duke
Um, the speed of sound in air at ground level is generally given to be approximately 1,200 feet per second.


https://en.wikipedia.org/wiki/Speed_of_sound

1 millisecond = 1/1000 of a second, so 1.2 feet per millisecond or 14.5".


So 1/10 of a millisecond would be about 1.45"
The speed of sound is actually closer to 1100 ft/sec than 1200 ft/sec at standard temperature pressure at sea level. Which brings me to my Pop Quiz. For a free prize explain why placing bowls of very cold water out in front of the speakers on the floor improves the sound from the listening position. First correct answer wins a set of 3 brand new Flying Saucers on Afterburners for Windows. 🛸 🛸 🛸
Hello Duke,

Thanks for clarifying the awards your AK Swarm system has received, all well deserved. If you don’t mind, it seems like a few things need clarifying about attaining good bass response performance using subs.

The first issue concerns the timing of the bass reaching our ears at the listening position. Mijostyn stated:"Ideally the sound from the sub should reach the listening position at exactly the same time and at exactly the same phase angle as the woofers in the satellite speakers."
It seems to me that some people are stating false information because they’re assuming that bass soundwaves behave and are perceived by us exactly the same as midrange and treble soundwaves in any given room, specifically as it relates to timing and arrival times. It’s my understanding that bass soundwaves behave differently than mid/treble soundwaves in any given room and that we perceive them differently, too. For phase, I understand I can optimize this by adjusting the continuously variable phase control on the amp as well as sequentially inverting the phase on each sub to determine whether or not the inversion of one specific sub’s phase improves overall bass performance. Would you mind clarifying?

The second issue concerns the use of bass room treatments and room correction software/hardware. I currently use the AK Debra 4-sub DBA system in my room without the use of bass room treatments or room correction and I consider the bass performance near state of the art both for 2-ch music and HT surround sound.
However, I recently had my room analyzed by GIK and they recommended that I place stacked versions of their bass traps (called TriTraps) in all 4 corners of my room along with 2 bass trapping 5.25" thick panels (called 244 panels) along both the front and rear short walls in my room. Their remaining suggestions were an even distribution in the room of absorbing and diffusing acoustic panels for the midrange and treble from my main speakers.
The total assortment of recommended room treatments is about $2,500 and I was initially going to not include any bass treatments to save money but also not to negatively effect the already very good bass performance in my room.
I’ve since reconsidered and decided to include all of the bass room treatments on my order. My current understanding is that these bass room treatments will only have positive effects on my perception of the bass response performance in my room, with no negative effects. I still have no desire to utilize room correction of any type but am under the impression that room correction is also completely optional and will have no negative effects on the bass performance of 4-sub DBA systems. Do you agree with this?

Thanks,
Tim