I bought a Dayton SW 1000 rack amp and its a great AMP for cheap. But I felt my 16 ohm Kinergetics were not a good fit all in Mono. Plus it has a thump when the AMP is turned off. Sure its 1 in 1000 defect and Parts Express is graciously taking it back. No volume control over the rear and front is driving me crazy. Im hoping stereo and fade (rear and front) volume will be the best possible. I Did just find a a Kinergetics SW 200v mono with a Compusound II circutry as well as an older BSC 200 stereo Sub AMP on Ebay both 100 bucks plus shipping and I won the bids so lil less than 300. The Mono SW 200 Amp is already here and sounds great just running my two fronts. And non adjustable X over at 100 HZ which makes me cringe but these Kinergetics SW 800's are really really good and sound great crossed over that high. This set up once I get the other stereo AMP should allow me Stereo up front and a volume control for the rear. Unless any experts here say try somethings else??? Next will be an used Aragon, Levinson, or Krell in stereo for the front and try to make the rest of em work. Im guessing if I get my stereo perfect then add the swarm I should be in good shape.
Side note... super jealous of that guy with 4 SVS 16's and a Audio Engineered room!!! I wanna be him when I am reincarnated... haha or at least his dog so I get to listen and get treats!
"The mono-vs-stereo subwoofers issue is most likely to come up for a system like my Swarm, where all four subs are passive and can be driven by a single amplifier for mono bass, or by two amplifiers (at additional cost) for stereo bass. If you have two (or more) powered subs, imo you might as well connect them in stereo if that’s feasible.
My understanding that stereo bass is rare is largely based on a conversation with Earl Geddes wherein he described working as a consultant for Ford and the question arose of whether or not to provide stereo low bass for a high-end sound system. So he asked all of the engineers to bring in their CD’s. I don’t recall how many he analyzed, but he did not find a single one with stereo information below either 80 Hz or 100 Hz (my memory is foggy on the exact figure). I think there are audiophile recordings with true stereo bass, seems to me I read about some many years ago, but I didn’t make note of what they were. If anyone reading this knows of any recordings with true stereo south of 80 Hz, I’d be very interested in knowing about them.
Duke"