Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
Listening now to Sudbin's Scarlatti on BIS.  The piano sound is indeed very natural.  Enjoying it and the contrasts between the short sonatas.  Sometimes you can distinctly hear Bach in there, and sometimes very different composers.

Host David Dubal begins a new series on two keyboard masters born in 1685: Johann Sebastian Bach and Domenico Scarlatti. These two composers were the titans of the late Baroque period, and their work has continued to inspire ever since. Tonight's program features some of the greatest players of Bach and Scarlatti, including Andras Schiff in Bach, and the renowned Scarlatti interpreter Vladimir Horowitz.

Program Playlist:

Scarlatti: Sonata in C, K. 502
—Sergei Babyan, piano

Scarlatti: Sonata in F, L. 384
—Solomon, piano

Bach: Three Part Invention No. 9 in E Minor
—Andras Schiff, piano

Bach: Sarabande from Partita No. 6 in E Minor
—Piotr Anderszewski, piano

Scarlatti: Sonata in A, K. 113
—Maria Grinberg, piano

Scarlatti: Sonata in B Minor, L. 33
—Vladimir Horowitz, piano

Bach: French Suite No. 5 in G - Gavotte, Courante, Gigue
—Andrei Gavrilov, piano

Scarlatti: Sonata in F Minor, K. 184
—Alexis Weissenberg, piano

Bach: Chromatic Fantasy and Fugue - Fantasy
—Andras Schiff, piano

Bach: Two-Part Invention No. 13 in A Minor
—Andras Schiff, piano

Scarlatti: Sonata in B, L. 224
—Vladimir Horowitz, piano

listen to this program here:
https://www.wqxr.org/story/masters-baroque-bach-and-scarlatti-part-1/
For the last weeks I listen to the Bach trio sonatas at the organ with Helmuth Walcha, by far the more spiritual interpretation of Bach, with the likes of cellist Fournier, violinist Henryk Szeryng and few others...

When I compare with Hurford, a good organist by all standard, I am way less moved... It is like the blind master summon his prolific god behind his hands.... My best...
Sudbin came up in the context of good recorded piano sound (BIS, SACD).

Here's another recording whose piano sound I'm enjoying, the acoustic is different, there's a bit more resonance, but it does sound very much like a piano in a room.

Paul Lewis: 2 CD set of Schubert: Sonatas D. 840, 850, 894, plus Impromptus D. 899 and Klavierstucke D. 946.

See what you think if it's available streaming somewhere.   The playing seems somehow more "human" to me than some Schubert recitals I've heard.
You guys who have access to Idagio there is a lovely concert with the Vienna Phil. and Gergiev conducting exclusive to Idagio . It's Tchaikovsky's Lovely 1st Symphony "Winter Daydreams" and Rimsky-Korsakov's Sheherezade in a lovely interpretation by Gergiev.
@twoleftears    You are right about Paul Lewis I have been watching him for a number of years and I like your comment aout the playing being more human and I think that is because Alfred Brendel had a hand in finishing off his musical education. If it is of any interest he also has some really nice Haydn Piano sonatas available also.