Erik, to understand many jazz musicians you have to start at their beginning and follow them through time as they evolve. The great ones keep searching and exploring and in many instances leave us behind. Later in his career Trane became influenced by eastern music which is abrasive to most of us westerners. I gave up after he left McCoy Tyner and Elvin Jones behind. Wayne Shorter progressed in a way I can still follow and enjoy. Most of us want to enjoy music, not be challenged by it.
Henry Threadgill is an original. He bounces back and forth between incredible songs that really bring out a smile and music that leaves me totally flat. I have to have some sense of melody and or structure/rhythm to hold on to to keep me focused without either I am lost.
I have tried to listen to Coltrane's Ascension three or four times and I just do not get it. But, when you listen to him in his earlier days it was obvious that he was special. Listen to Sonny Rollin's Tenor Madness. Trane plays on that album. Compare the two. Rollin's is no slouch but you always know when you are listening to Trane he has a lyrical and rhythmical facility with the instrument that Rollins just can not match. Rollin's playing seems sort of clumsy in comparison.
Henry Threadgill is an original. He bounces back and forth between incredible songs that really bring out a smile and music that leaves me totally flat. I have to have some sense of melody and or structure/rhythm to hold on to to keep me focused without either I am lost.
I have tried to listen to Coltrane's Ascension three or four times and I just do not get it. But, when you listen to him in his earlier days it was obvious that he was special. Listen to Sonny Rollin's Tenor Madness. Trane plays on that album. Compare the two. Rollin's is no slouch but you always know when you are listening to Trane he has a lyrical and rhythmical facility with the instrument that Rollins just can not match. Rollin's playing seems sort of clumsy in comparison.