2. amps-preamps
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Seriously considering tube preamp…opinions?

Tube virgin, here. I am building a system and I'm trying to contain the preamp/amp cost to $3k or so. (I could go up a little.) 

I'm inclined not to dive into tubes all the way through, but get a solid state on the output end. (Open to suggestions; inclined toward PS Audio, Parasound.) I'm reading around about tube preamps and have talked with my local dealer, who sells Black Ice/Jolida and Prima Luna (PL). He used to carry Rogue but said they kept coming back for repairs. That's why he carries PL.

I'm asking these questions after having established (via reviews, comments) that Schiit gear is quite the value. Lately, I've been reading about Decware and other small tube makers. I'm very curious about buying direct, if possible, and a company that stands behind their products is crucial.

So, your opinions about tube integrated or *especially* tube preamps —

1. Who do you like? Consider I want to do pre/amp for a total of $3k if possible.

2. Do you think PL is worth all that money just for a preamp? I get the feeling they're high quality but a bit over-hyped. (No disrespect to the highly passionate Kevin Deal, but he's all over my search results.) And what would you think about $2k/$1k preamp-to-amp spending ratio?

3. Any sense of what happened to Jolida since the name change to "Black Ice"? I see there's a sordid story there but did the re-branding clear up the mess? Any experiences with the Black Ice company?

4. I know there are many Schiit fans out there; so my question would be -- did anyone consider Schiit for tube preamp and go another way? Or move beyond Schiit for any particular reason? It's hard not to just capitulate and do a Freya+ or Saga+ but why wouldn't one just go with Schiit?




128x128hilde45
bigkidz
3,392 posts
 
Here is my two cents.  The Primaluna 12AX7 based for $2200 new is a very musical preamp.  The Quick silver is a nice sounding preamp not as tube sounding versus the Prima.  The deHavilland is a good sounding tubish sounding preamp but I have only heard it after I modified the unit with my upgrades for a buddy of mine.  The upgrades included V-Caps, volume control, some tube sockets, transformer (much bigger thatn the junkie stock one, AC filter choke, resistors, and a few other changes.  Those upgrades gave the preamp a much bigger dimension, better detail, made it quieter, and with more space between instruments.  The stock unit to me was nothing special.  Other options would be a Counterpoint SA-3000.  It has phone which is OK for an old preamp. These I can perform upgrades that bring them to a new level.  I also like the SA-3000 for the separate power transformer which helps eliminate noise.  Besides parts upgrades I can upgrade the circuit to today's level and is basically a new preamp.  All of the above are good choices.

Happy Listening.
hilde45's avatar
hilde45 OP
4,986 posts
 
Someone earlier made a comment about amps which would be hard to sell later -- becoming, in essence, expensive doorstops. It raises the question as to what the downside is of getting something relatively boutique-like. I realize that the quality will be there, but the exit door may be blocked if my tastes or needs change down the road. This element may not move people, but I do wonder which of the makers celebrated in these posts might wind up with that problem.

@whitestix The Chardonnay sounds tempting. It’s $2500 or $2000 before $200 shipping. If my budget is $3000 for both pre and power that leaves me at most $800 for a power amp. I guess that could be done. Would you spend in that ratio on a pre/power amp if it was you?

@tvad I hear you. I’ll look at those makers, too. Thanks.

@bigkidz Nice to hear of your experiences. Given the high praise lavished on the deHavilland, it’s interesting that you found so much in it that benefitted from your upgrades. It’s an expensive piece of gear, but I guess everything can use some makeup.
jackd
1,071 posts
 
With it’s SE and Balanced inputs and outputs plus fully adjustable gain from 0-25 db the base Chardonnay is flexible enough to be with you for years. To stay close to your total budget you can buy a brand new Odyssey Khartago for $995 and have a great combo. I own the Chardonnay currently and have owned the Khartago and three other Odyssey amps over the years so familiar with both brands together. This combo will put you over your budget by the shipping costs.  Another amp alternative that will save you $100 if you don't need the extra wattage is the Van Alstine SET 120 amp at $899. I haven't heard it but I do own it's big brother the SET 400 and Frank says they are voiced the same.  The Chardonnay and the SET 400 are playing now with my Verity Otello's.
goldenears19's avatar
goldenears19
27 posts
 
Interesting Subject! Personally I like Atm a-Sphere! Built-in America and Ralph the designer is always great to talk to! His Pre-Amps and Amps have Won multiple awards and the Sound is what I call Musical! A little more money maybe than your budget but I think a better product than the others I heard mentioned! But of course check around!😉
hilde45's avatar
hilde45 OP
4,986 posts
 
FYI, I wrote to Kara at deHavilland. She said she was taking a sabbatical from making audio and that I should look for her Ultraverve used, possibly to pair used Conrad Johnson MF 2500. FWIW.
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