JL Gotham F212 v2 vs ?


This is a pricey but seems to be a high quality well made sub. This is for a future listening space that would be 20x30. For some real power but control is there any other subs to consider at that price point or lower?
Thanks!
EDIT SORRY I meant Gotham V2 (not f212).
smodtactical
It’s not just about smoothing out modes. Its about recreating the subtle social textures in greater detail. The sonic pictures that the REL helps create will take your system to another level. You could do 2 stereo stack of RELs (4×812se) and be under 12K retail.
My only in home experience with JL Audio was when a friend brought his F113 v1 ARO over and another brought his REL Studio III to compare to my Velodyne DD 18. 
I set one of the Velodyne's presets back to factory settings to compare the ARO to Auto EQ. The differences weren't dramatic but noticeable and we all preferred the Auto EQ.
The JL lacks manual EQ adjustments and the Velodyne offered manual adjustment of eight parameters. Feeding the JL from the manually adjusted DD 18 finessed the JL's output almost indistinguishable from the larger Velodyne. Very impressive for a 13" driver. Great sub. 
I'd suggest reading up on JL's CR-1 and Mini DSP.

Following the beautifully made $8900. British REL Studio III's setup procedures, the sub provided a poorly integrated, muddy presentation with a low frequency limitation.
We then relocated it, placed on its side to directly radiate the drivers and fed the same EQ'd low level (RCA) signal from th Velodyne. While still limited the REL was clearly better integrated and the equalization allowed greater output. Unfortunately not enough, its owner sold it the following week.
Looking at the suggested S/812 it's another stylish looking sub. Surprisingly, the setup procedure is almost word for word the same as it was for the Studio III.     
What about psa s7201? It looks insane but apparently delivers high quality bass. Especially since it's sealed. 
@smodtactical,

The key differentiator between REL subs and any other sub on the market is it’s high level input connectivity. By using the high level cable (included with sub), you connect REL sub from your amplifier’s or receiver’s speaker terminals. It allows RELs to effect a transparent connection to your system that permits utterly seamless blending of main-speaker-to-subwoofer. When properly adjusted, REL will transform your system with dynamics, warmth and body. And not to mention it do so with greater delicacy than you probably ever heard out of your system. None of that bloated, flabby or often overpowering bass you can’t tame from the other subs.

I suggest you read up on this more before making a decision.
Spacial not social***

Following the beautifully made $8900. British REL Studio III's setup procedures... We then relocated it, placed on its side to directly radiate the drivers and fed the same EQ'd low level (RCA) signal from th Velodyne

@m-db 

Except that you didn't also connect with the high level connection which also needs to be dialed in. The high level connection is there to support the bass frequencies your mains are not capable of producing. It's done through the Amp and not the pre-amp to preserve and better match the sonic characters also fed directly to your main speakers.