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Esoteric DV-50: Any cdp's Significantly better?

Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
audiojoy4
98 posts
 
alex,

I diod have a chat with one of his representatives who state that he is working on UK models, I donot know if he is using a step down transformer. I could get you a denon model from the uk. But more interestingly I was wandering if a 240v transformer of a higher quality could be used to replace the standard. However, if this is a switch mode power supply then this would be very difficult. I am surprised that switchmode supplies are being used, i really did think that they were using more conventional power supplies. I do also know that the famed Meitner is also working from switch mode. My general experience has been that switch modes tend to sound leaner, harmonially less fleshed out but with a faster more pushy sound. Whereas as good old fashion supplies had a warmer analogue sound. Hence the warmer sound from the marantzes who use the copper chasis and the traditional power supply method for the output HDAMs. I will email you my details shortly via your web sight

Luke
dbld
297 posts
 
711Smilin, AVGURU, and others in the Chicago obsession clinic...I have a few questions for you folks that I would ask Alex directly, but perhaps others following this thread could benefit from the answers as well. Besides, I am sure Alex is busy with his regular work. I think this thread alone could be a full time job.

When you guys did your several side-by-side comparisons, I understand you did mostly, if not all, in two channel redbook, and some SACD. How does the APL 3910 do in SACD relative to the others you have listened to, as well as in multi-channel and DVD-A? I understand the Modwright (or was it Underwood?) Sony was quite nice too.

I see that Alex offers a multi-channel option for a little extra, but what does that get you? Since this thread references off the DV-50 (which I have), can you compare it to that in multi-channel?

711, you have mentioned that you use a separate machine for SS/HT for personal taste reasons. How does the APL 3910 fair for HT sound when using the digital coax output? Again, since you owned a DV-50 at one time, is it comparable to that sound from the coax? This may seem like a stupid question, but I have tried many players recently and have found big differences in their digital coax sound. These differences, for whatever reason, do seem to coincide with their analog performance, but I don’t claim to be smart enough to know why there is any difference at all.

And finally, has anyone with a modded 3910 had any problems playing any types of disks. Specifically 192kHz two channel DVD-A? The stock 3910 I owned when they first came out rejected these disks for me. I brought this up once before in this thread…sorry to bring it up again.

As mentioned above, I am currently using a DV-50 and I like it for movies as well as two channel and multi-channel, but you guys are dangling the carrot I front of me. I really wish I could hear an APL machine for myself, but alas…I am in Philly and am not quite dedicated enough to drive/fly out to Chicago (Yes, I am a lazy SOB). Although I don’t do a lot of multi-channel listening, I like to keep my options open, and want only one box/player to do it all. I am not so concerned with video performance since I am also using an external video processor. If I really wanted, any machine I end up with could be modded for SDI to get the ultimate in video.

Thanks in advance.

Dave

PS – sorry if this posts twice, my computer just screwed up
aplhifi
515 posts
 
Dbld, I am leaving for Las Vegas in 4 hours from now so I will keep it plain and simple...:-)

The MC in the Denon can be left alone or further upgraded (Op Amps, capacitors, etc) for $150 which brings even better quality.

The extensive power supply upgrades and the Master Clock contribute to better Digital output, better Video and, of course, better overall MC and Stereo performance.

I have just a couple 192/24 discs that I play on regular bases - no problems so far.

Finally, most of the "shootouts" with my machine were done about 5 revisions ago - No Master Clock, DSP and some critical power supply upgrades at that time. Since my 3910 is now completely different sounding machine, it would be quite interesting to hear the opinion of the "Chicago gang" again...:-)...and, of course, as many other opinions as possible. I like to "play the game" with my cards down on the table - face up...:-)

Hey guys, behave while I am gone!!!..:-)

Regards,
Alex
jsala
99 posts
 
All the best at the CES, Alex!

- Jay
pscialli
80 posts
 
Hi Guys,
I received my ModWright Sony 999 yesterday afternoon after an unfortunate UPS delay. I will not make any full comments just yet as the machine has only been on for about 16 hours and the listening has been very preliminary on a non broken-in machine with non warmed-up tubes. Obviously, there is lots of warm up and experimentation to do. First impressions is that the machine is marvelous. Right out of the box, the level of detail and dimensionality is greater than anything I've heard on my system. I recently heard the Linn 2.1 on a different system, but my subjective notes are that my new Modwright machine has a larger soundstage. I ran a disc on repeat mode overnight and the sound has improved somewhat. There is less congestion. Interstingly, I didn't feel that the sound was congested in the first place. Compared to my unmodified Denon, the difference, even with a cold machine, is night and day. The soundstage extends well beyond the physical edges of the speakers. The lead vocals, for example are front & center with tons of air and bloom. Yes, bloom: I love tubes! Other instruments are arrayed in 3 dimensions on the stage with their sounds being both individually distinguishable while their blend is heard to full effect. I've only listened to Redbook so far, but I'm mighty impressed.
I will give a fuller report after I've had a few days of burn-in on the unit. BTW, with no reflection on any other modder, I have to say that Dan Wright is great to deal with. He was always very responsive, even returning Emails within a few minutes over the holiday weekends.
For reference, the rest of my system consists of an ARC SP-16LS, the Musical Fidelity A3CR amp (100 watts) and B&W Nautilus 803 speakers. Other parts of the system are slated for upgrade, but I seem to have landed on a great front-end at a very reasonable price.
Peter
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