luisma31
The price for that smooth, even, neutral bass is that your bass will be monophonic. That’s actually a small sacrifice to make because so much LF is recorded as mono anyway. The problem arises when DBA proponents insist that all bass is monophonic by virtue of it being non-directional. That widely-held belief - supported by claims in magazines such as Sound & Vision and Secrets of Home Theater - can easily be demonstrated to be wrong.
Still, mono bass can sound very, very good, and can lay a strong foundation for the rest of the music. I just prefer to have my LF in stereo, just like the rest of my system, and my speaker system is especially adept at achieving that.
... their particular claim of "big bass" and "thump thump thump" and "appreciated by bass heads" IMO it is an insult to the DBA, one of the features of the DBA which I appreciate the most is that quite differently from single or dual non integrated subs the amount of bass you need is very very minimal per sub hence not "thump thump thump" at all.That sort of criticism of DBA is from those who haven’t heard it set up properly, or have not heard such a system at all. I agree that the one big advantage of DBA is the ability to create smooth, even, neutral bass. It is very appealing.
The price for that smooth, even, neutral bass is that your bass will be monophonic. That’s actually a small sacrifice to make because so much LF is recorded as mono anyway. The problem arises when DBA proponents insist that all bass is monophonic by virtue of it being non-directional. That widely-held belief - supported by claims in magazines such as Sound & Vision and Secrets of Home Theater - can easily be demonstrated to be wrong.
Still, mono bass can sound very, very good, and can lay a strong foundation for the rest of the music. I just prefer to have my LF in stereo, just like the rest of my system, and my speaker system is especially adept at achieving that.