With all my respect to SoundSmith this is not the last brand in the world, i have far more interest in vintage cartridges from the giants of industry and their own research made when analog was a king (not digital). Most of them stopped making cartridges or completely disappeared from the market along with those special cantilevers like Boron Pipe or my favorite Beryllium (or exotic Ceramic pipe), but NOS cartridges are not disappeared from the market and i'm happy about it.
But it is interesting to see something new from Namiki or Ogura, finally, like the Zirconia Pipe Cantilever. Seems like nobody knows what i'm talking about :(
Even Titanium Pipe is no longer available?
Even if someone would like to design a cartridge using much wider choice of materials it is simply impossible today, but it was possible 30 years ago.
I can't remember any cartridge from my 50 samples of different design (MM,MI,MF, LOMC, HOMC ...) that does not track well, except for some SPU and probably Ikeda cantilever-less design (if the record is not flat). I test them with Hi-Fi News Test LP, 99% of my cartridges are fine on all high modulated grooves.
Most people think that the answer for everything is SoundSmith and his Ruby cantilever with optimized Contact Line stylus (mounted instead of any other cantilever when it't time to retip a worn cartridge or replace a bent cantilever). J.Carr explained why it's not always good idea. Peter himself will give you very diplomatic answer and will never tell you what it better (fair enough), you can only decide for yourself (i prefer originals).
Since i'm not in America it's must easier for me to buy another NOS vintage cartridge with some great cantilever (often not available from Namiki or Ogura for modern cart manufacturers anymore) and top class stylus instead or refurbishing any of my old ones with SoundSmith in USA.
For me, personally, the world of cartridges is much wider/deeper than just one great manufacturer from USA.
But it is interesting to see something new from Namiki or Ogura, finally, like the Zirconia Pipe Cantilever. Seems like nobody knows what i'm talking about :(
Even Titanium Pipe is no longer available?
Even if someone would like to design a cartridge using much wider choice of materials it is simply impossible today, but it was possible 30 years ago.
I can't remember any cartridge from my 50 samples of different design (MM,MI,MF, LOMC, HOMC ...) that does not track well, except for some SPU and probably Ikeda cantilever-less design (if the record is not flat). I test them with Hi-Fi News Test LP, 99% of my cartridges are fine on all high modulated grooves.
Most people think that the answer for everything is SoundSmith and his Ruby cantilever with optimized Contact Line stylus (mounted instead of any other cantilever when it't time to retip a worn cartridge or replace a bent cantilever). J.Carr explained why it's not always good idea. Peter himself will give you very diplomatic answer and will never tell you what it better (fair enough), you can only decide for yourself (i prefer originals).
Since i'm not in America it's must easier for me to buy another NOS vintage cartridge with some great cantilever (often not available from Namiki or Ogura for modern cart manufacturers anymore) and top class stylus instead or refurbishing any of my old ones with SoundSmith in USA.
For me, personally, the world of cartridges is much wider/deeper than just one great manufacturer from USA.