Jperry, that is true and it is an extremely easy thing to disconnect chassis ground from the signal wires. With a warm soldering Iron it might take me 10 minutes. It is unfortunate that something like this should scare an audiophile. To disregard what might be the absolute best value in a phono amp for that reason is rather silly. IMHO the minimum audiophile kit is a set of small screwdrivers, set of metric Allen wrenches. small diagonal cutters, small needle nose pliers a soldering iron and some solder. Shrink wrap of various sizes is a nice add on. Not having this is like a cyclist who can't work on his bike so for every little adjustment he has to go back to the bike store? Helpless.
Next upgrade for my analog source
Hi all! hope I can get some opinions on the next upgrade step for my analog source.
Currently am using Rega P6 TT with Nagaoka MP 200 (MM) cartridge, and the EAR 834P fonostage.
Preamp and amp are using Lumley Reference Amplifier (Tube KT88) and going to PMC 20.24 speakers.
So am thinking of either:
1. upgrading the fonostage to the new PS audio Stellar phono (getting rave reviews)
2. upgrading the cartridge to MC type (maybe Lyra Delos?)
3. upgarding the TT itself (not sure what to get in the $2k-$2.5k range)
I mostly listen to classical (violin, orchestra) and jazz on my analog source.
Thanks for any inputs!
Currently am using Rega P6 TT with Nagaoka MP 200 (MM) cartridge, and the EAR 834P fonostage.
Preamp and amp are using Lumley Reference Amplifier (Tube KT88) and going to PMC 20.24 speakers.
So am thinking of either:
1. upgrading the fonostage to the new PS audio Stellar phono (getting rave reviews)
2. upgrading the cartridge to MC type (maybe Lyra Delos?)
3. upgarding the TT itself (not sure what to get in the $2k-$2.5k range)
I mostly listen to classical (violin, orchestra) and jazz on my analog source.
Thanks for any inputs!
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- 27 posts total
- 27 posts total