Hello listening 99,
There are certainly several excellent class D amp bargains currently available for attaining very good performance at very reasonable prices. It sounds like you just purchased a prime example.
I’ve owned and have heard a wide variety of class D amps in the past 10 years and I’ve noticed some come common qualities shared by the entire group regardless of price. These general qualities are very solid and taut bass, very low distortion, an extremely low noise floor, very good detail and a very neutral overall sonic presentation, with seemingly nothing added or subtracted from the inputted signals.
I’ve found the most obvious benefit of the better, and more expensive, class D amps is the quality of their mid-range, treble and holographic imaging abilities.
Currently, some class D amps rival the performance of the best amps available, regardless of amp type. Unfortunately however, the prices of the best class D amps also rival the prices of the best traditional amps.
Because of this, when I felt the urge to upgrade, I decided to restrict my budget to an amount I could afford but also decided not to restrict my search options to a particular amp type. I still thought a mid priced class D amp, a pair of D-Sonic M3-600-M mono-blocks with Scandinavian Abletec power modules for about $2,100/pr, performed best driving my speakers. I also knew for certain through in-home auditions, that this was thousands less than comparably performing traditional amps.
Tim
There are certainly several excellent class D amp bargains currently available for attaining very good performance at very reasonable prices. It sounds like you just purchased a prime example.
I’ve owned and have heard a wide variety of class D amps in the past 10 years and I’ve noticed some come common qualities shared by the entire group regardless of price. These general qualities are very solid and taut bass, very low distortion, an extremely low noise floor, very good detail and a very neutral overall sonic presentation, with seemingly nothing added or subtracted from the inputted signals.
I’ve found the most obvious benefit of the better, and more expensive, class D amps is the quality of their mid-range, treble and holographic imaging abilities.
Currently, some class D amps rival the performance of the best amps available, regardless of amp type. Unfortunately however, the prices of the best class D amps also rival the prices of the best traditional amps.
Because of this, when I felt the urge to upgrade, I decided to restrict my budget to an amount I could afford but also decided not to restrict my search options to a particular amp type. I still thought a mid priced class D amp, a pair of D-Sonic M3-600-M mono-blocks with Scandinavian Abletec power modules for about $2,100/pr, performed best driving my speakers. I also knew for certain through in-home auditions, that this was thousands less than comparably performing traditional amps.
Tim