Oldest Recordings that sound “audiophile”

Also Sprach Zarathustra - Fritz Reiner and the CSO in stereo - 1954! RCA Living Stereo!

This post got me thinking (a rare occasion) and I dug out some of my old Mercury Living Presence recordings which I haven't listened to in many years. The first recording was the Liszt PC's recorded in Moscow. Was this a SOTA recording? I don't think so. Was it a recording for audiophiles? I don't think so. Was is a true replication of a live performance, i.e. a great engineering effect? I don't think so.

What was it then? An in your face, exciting performance which brought into clear focus the piano contribution to the Concerto. To hell with 'audio'  I say! This really draws me into the music. Love it!!!!! Now I have a project, i.e. listening to all my old Mercury recordings. There must be more like this one. :-)

FWIW.

Good stuff.  Lots to lookup and stream online.  Keep ‘em coming. 

This is just a FWIW follow up on my post above, but the CD version of The Ghost And Mrs. Muir I have is Varese Sarabande - VSD 5850 and The Captain From Castile is the one from the Screen Archives Entertainment label.

For The Ghost And Mrs. Muir, there is a 1975 rerecording made by Elmer Bernstein, but I have not heard it.

In looking up the materials for these two soundtracks, I found this:

"The uncovering of long-stored Hollywood archives have shown that the studios were experimenting with multiple angle, or dual channel, sound as early as M-G-M’s Meet the Baron in 1933."

The Captain From Castile: "Tony Thomas wrote in his notes for an LP reissue of the original music in 1975, '[The discs were] considered so hi-fi in their day that record dealers often used the ‘Conquest’ side as a demonstration record.'"

and even

"Newman was famous for his swooning, romantic tunes and the lushness he could obtain from the strings came to represent the epitome of “the Hollywood sound,” a sound Bernard Herrmann, for one, famously did not want."       Possibly a bit ironic here, given that the very word "swooning" is an apt description at times of Herrmann's own score for The Ghost And Mrs. Muir, but admittedly is perhaps a rare concession from him on that point nonetheless.

Ray Charles put out an album called "Modern Sounds in Country and Western Music" that was recorded in Feb 1962 and has an amazing sound stage.