Is imaging reality?


I’m thrilled that I finally reached the point in my quest where instruments are spread across my listening field like a virtual “thousand points of light.”  I would never want to go back to the dark ages of mediocre imaging, But as a former classical musician, the thought occurs to me, is this what I hear at a concert, even sitting in the first row?  What we’re hearing is the perspective of where the microphones are placed, generally right on top of the musicians.  So close that directionality is very perceptible, unlike what we hear in the hall. The quality of our systems accurately reproduces this perspective wonderfully. 
But is it this as it is in the real world?
128x128rvpiano
@mrdecibel : "The genius of the artist ( s ). That is it, in a nutshell ! "

Agree completely. But good engineers and producers are also artists with their own levels of genius.........and lack thereof.
@n80.....agree completely...a good example of a recording I own, such as Tull's Aqualung, ( which has lots of compession, eq., etc. ), was done, allowing me to follow the band, each member individually, and, as a complete whole. Engineers and producers ( especially with their multi-tracking finesse ), are yes, artists. 
«  "But Christ is not between the 2 thieves?"  Not at all, from this Bach cd we call that "imaging" my dear...» - Groucho Marx
As I’ve said, I derive much pleasure from hearing an orchestra broken up into its component parts with imaging, even if it isn’t what is heard in a hall.  I imagining it’s exactly what the conductor hears, being right in the midst of the group and dead center.  I can synthesize the components into a unified whole, although I can see where some find this difficult or annoying.