"Bridge Over Trouble Water" sounds artificial


During the pandemic I've been upgrading my sound system.  I used to enjoy Simon & Garfunkel, "Bridge Over Trouble Water".  With my upgraded equipment the hi resolution audio sounds very synthetic, with one track on top of another, not like real music at all.  The voices are doubled and violins just layered on top.  On my same system, I played a live concert of Andre Previn playing Gershwin's "Rhapsody in Blue".  It sounded real and beautiful, like a live performance.  Am I doing something wrong?
aeschwartz
Obviously Mr Garfunkel couldn't take those high notes in the end so he needed some help which screwed up the recording a bit (done better today). The same with Mr Mercury. But he had Mr Taylor to help him out. Whats the problem? Still a very enjoyable and interesting recording. You can clearly follow what they did in the studio. Thanks to high-res. 
Yes, that's an unwelcome (and unexpected) result of having a highly (or even just modestly) resolving system.  Sometimes it reveals some hidden gems of detail that you never paid attention to before, but it also can shine a spotlight on the warts.  I find myself seeking out good sounding recordings from artists that I would've never listened to in my youth, and find myself stopping familiar albums halfway through because they are not pleasurable to listen to.  Examples: I listened to Heart's "Magic Man" from the Dreamboat Annie album the other day, and thought to myself halfway through when the synthesizer kicks in, "Boy, that's a cheesy sounding synth".  Black Sabbath's Paranoid album, "Hand of Doom" has some cymbal bell taps at the beginning, and the drummer was out of time with those - never noticed that before. 
Well, there's so much fine new (and old) music to listen to so I'm fine with that and don't complain anymore. Problem is when friends or children come visiting and they all request those crappy recordings.... :-(
Not wrong, IMO, but this is what I've talked about before.  Trends and fads in what is considered a normal or good speaker system have changed over time.

You can't make a perfect speaker system for today and expect it to sound fabulous for all past decades of recorded music, so, I have argued, the best you can do is pick speakers that are equally good for all your styles of music and use tone controls as necessary.

Would be interested in knowing what this sounds like via homage speakers, like BBC mini monitors.

Best,

E
Yup if a release sounds bad and your system is good and the track bothers you, its up to YOU to fix it. Break out the tone controls, DBX, DSP, equalizer what have you. This is war!!!!!!