I noticed a significant upgrade in clarity going from Usb DACs in the 1-2k range to a dedicated streamer/dac with Ethernet in and I was using a well regarded usb reclocker etc. The other thing I did was add an Ethernet extender so there is no physical connection to the noisy router. Because of this I was able to use a very short run of high quality Ethernet cable to the streamer. Doing AB comparisons, there was no comparison. Ethernet cable direct to the modem had less clarity and more grit in the sound.
USB sucks
USB really isn‘t the right connection between DAC and Server: depending on cables used, you get very different sound quality if the server manages to recognise the DAC at all. Some time ago I replaced my highly tuned Mac Mini (by now-defunct Mach2mini, running Puremusic via USB) with an Innuos Zenith Mk3. For starters I couldn‘t get the DAC (Antelope Zodiac Gold) and server to recognise each other, transmission from the server under USB2.0 wasn‘t possible because the server is Linux based (mind, both alledgedly support the USB2.0 standard) and when I finally got them to talk to each other (by using Artisansilvercables (pure silver) the sound quality was ho-hum. While I understand the conceptual attraction to have the master clock near the converter under asynchronous USB, the connection‘s vagaries (need for exact 90 Ohms impedance, proneness to IFR interference, need to properly shield the 5v power line, short cable runs) makes one wonder, why one wouldn‘t do better to update I2S or S/PDIF or at the higher end use AES/EBU. After more than 20 years of digital playback, the wide variety of outcomes from minor changes seems unacceptable.
Since then and after a lot of playing around I have replaced the silver cables by Uptone USPCB rigid connectors, inserted an Intona Isolator 2.0 and Schiit EITR converting USB to S/PDIF. Connection to the DAC is via Acoustic Revive DSIX powered by a Kingrex LPS.
The amount of back and forth to make all this work is mindboggling, depending on choice of USB cables (with and without separate 5V connection, short, thick and God-knows what else) is hard to believe for something called a standard interface and the differences in sound quality make any review of USB products arbitrary verging on meaningless.
Obviously S/PDIF gives you no native PCM or DSD but, hey, most recordings still are redbook, anyway.
Conversely it is plug and play although quality of the cable still matters but finally it got me the sound quality I was looking for. It may not be the future but nor should USB, given all the shortcomings. Why is the industry promoting a standard that clearly isn‘t fit for purpose?
Finally, I invite the Bits-are-bits naysayers to go on a similar journey, it just might prove to be educational.
Since then and after a lot of playing around I have replaced the silver cables by Uptone USPCB rigid connectors, inserted an Intona Isolator 2.0 and Schiit EITR converting USB to S/PDIF. Connection to the DAC is via Acoustic Revive DSIX powered by a Kingrex LPS.
The amount of back and forth to make all this work is mindboggling, depending on choice of USB cables (with and without separate 5V connection, short, thick and God-knows what else) is hard to believe for something called a standard interface and the differences in sound quality make any review of USB products arbitrary verging on meaningless.
Obviously S/PDIF gives you no native PCM or DSD but, hey, most recordings still are redbook, anyway.
Conversely it is plug and play although quality of the cable still matters but finally it got me the sound quality I was looking for. It may not be the future but nor should USB, given all the shortcomings. Why is the industry promoting a standard that clearly isn‘t fit for purpose?
Finally, I invite the Bits-are-bits naysayers to go on a similar journey, it just might prove to be educational.
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- 150 posts total
- 150 posts total