@twoleftears I certainly agree with you but I would also say that Arrau's
piano tone was second to none and you always left a concert saying to yourself that whatever he played in the concert couldn't be replicated by anyone. It is just a pity that his early recordings are marred by the recording pitfalls of the time. His recordings from the forties and fifties are technically unbeatable and every bit as good as Horowitz.
A funny story - he was in attendance at the Berlin debut of Horowitz in the twenties . His mother who was with him and had nothing but insults for every other pianist she heard sat watching Horowitz dead silent. At the end of the concert Arrau was expecting a tirade from his mother , she looked round at her son and said you had better go home and practice because at the moment he plays better than you. I think he caught up with Horowitz though.
piano tone was second to none and you always left a concert saying to yourself that whatever he played in the concert couldn't be replicated by anyone. It is just a pity that his early recordings are marred by the recording pitfalls of the time. His recordings from the forties and fifties are technically unbeatable and every bit as good as Horowitz.
A funny story - he was in attendance at the Berlin debut of Horowitz in the twenties . His mother who was with him and had nothing but insults for every other pianist she heard sat watching Horowitz dead silent. At the end of the concert Arrau was expecting a tirade from his mother , she looked round at her son and said you had better go home and practice because at the moment he plays better than you. I think he caught up with Horowitz though.