My Ohm 100s have about a full octave more bottom end than my MMGs - not so critical for me as I use subs - but a major delta between these designs. The Vandy 2s (don't own 'em, but have head 'em extensively) are similar to the Ohms in this regard, and have a bit more mid-bass "flesh", to boot.
All 3 designs stage typically of their dispersion. My own taste puts Ohm omnis well ahead of the pack, with the MMGs (properly set-up) just nosing the Vandy for 2nd place. The MMGs are probably most placement sensitive, Ohms the least so.
All 3 designs are reasonably revealing, but I find that the Ohms probably provide more detail than the other 2. However, they're also the "leanest" tonally and the least forgiving of less than ideal room/electronics/recordings.
The Ohms need to go to higher SPLs to sound dynamic, but they are limited in how loud they'll go before melting. Net result: the least flexible in terms of satisfying listening levels of the 3 choices here.
All 3 models offer IMHO terrific value, but the MMG is just an absolute steal.
My take, anyway.
Good Luck.
Marty
All 3 designs stage typically of their dispersion. My own taste puts Ohm omnis well ahead of the pack, with the MMGs (properly set-up) just nosing the Vandy for 2nd place. The MMGs are probably most placement sensitive, Ohms the least so.
All 3 designs are reasonably revealing, but I find that the Ohms probably provide more detail than the other 2. However, they're also the "leanest" tonally and the least forgiving of less than ideal room/electronics/recordings.
The Ohms need to go to higher SPLs to sound dynamic, but they are limited in how loud they'll go before melting. Net result: the least flexible in terms of satisfying listening levels of the 3 choices here.
All 3 models offer IMHO terrific value, but the MMG is just an absolute steal.
My take, anyway.
Good Luck.
Marty