High Performance Audio - The End?


Steve Guttenberg recently posted on his audiophiliac channel what might be an iconoclastic video.

Steve attempts to crystallise the somewhat nebulous feeling that climbing the ladder to the high-end might be a counter productive endeavour. 

This will be seen in many high- end quarters as heretical talk, possibly even blasphemous.
Steve might even risk bring excommunicated. However, there can be no denying that the vast quantity of popular music that we listen to is not particularly well recorded.

Steve's point, and it's one I've seen mentioned many times previously at shows and demos, is that better more revealing systems will often only serve to make most recordings sound worse. 

There is no doubt that this does happen, but the exact point will depend upon the listeners preference. Let's say for example that it might happen a lot earlier for fans of punk, rap, techno and pop.

Does this call into question almost everything we are trying to ultimately attain?

Could this be audio's equivalent of Martin Luther's 1517 posting of The Ninety-Five theses at Wittenberg?

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Can your Audio System be too Transparent?

Steve Guttenberg 19.08.20

https://youtu.be/6-V5Z6vHEbA

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Steve's point, and it's one I've seen mentioned many times previously at shows and demos, is that better more revealing systems will often only serve to make most recordings sound worse.

Exactly!

An AM car radio serves songs better than a highly revealing system where the recording is poor.

Such a waste of Money!

I listen to mostly classical music, which you might think would be a natural for accurate reproduction of real instruments in a real space.  But even here, producers generally have a hand in “shaping” the music.  In the early days of stereo, an orchestra would be recorded with just two or three microphones placed in an optimum spot above or in front of the musicians.  This did  produce a natural sound which a high resolution audio system could come close to reproducing. Gradually, however, producers endeavored to “improve” the final sound by placing several microphones at various places above instrumental choirs, thereby giving them more control over the final product.  This multimiking caused several abnormalities in the natural sound. All sorts of distortions we’re now possible.
This is not necessarily a bad thing, though, because talented engineers have produced some wonderful results using this method.
I do  believe a high resolution stereo system should be. able to sound good on the majority of recordings. After all, even the worst engineers are not out to produce aberrant sounds.  Of course there are great variations in quality. But a good balanced audio system shouldn’t produce extreme distortions.
One important factor here is that we are all very neurotic about our equipment and crazed to buy all sorts of quirky "improvements" that are really cool but probably do nothing. It is best to listen to the music and not the system. 
It's an interesting point, but all it will take is a new form of digital recording and playback and then it's back to square one.A scary proposition.