Sam, thanks for another clueless post.
You haven't heard it so how can you possibly have an opinion on how it sounds.
You haven't heard it so how can you possibly have an opinion on how it sounds.
How do you justify $125.00 for a new vinyl record
Bob Dylan - Blood on the Tracks 180g 45RPM 2LP Box Set https://www.mofi.com/product-p/mfsl45ud1s-006.htm
now going for $200.00+
This record and many like it were cut from a digital copy of the analog master tape which means it has stereo + mono depth perception so a comparison to a 1st pressing with stereo + stereo depth perception will expose the truth about how inferior the sound quality is. Back in the 50’s,60’s,70’s vinyl was vinyl and that was that.Now you have a choice based on how much you are willing to spend as to how much the sound quality will suck. l can damn sure bet you that a digital download at 16/44 using an allpass filter to remove the dynamic compression for the loudness wars and then re-encoded with the 33 hertz frequency will blow the mofi vinyl away.
now going for $200.00+
This record and many like it were cut from a digital copy of the analog master tape which means it has stereo + mono depth perception so a comparison to a 1st pressing with stereo + stereo depth perception will expose the truth about how inferior the sound quality is. Back in the 50’s,60’s,70’s vinyl was vinyl and that was that.Now you have a choice based on how much you are willing to spend as to how much the sound quality will suck. l can damn sure bet you that a digital download at 16/44 using an allpass filter to remove the dynamic compression for the loudness wars and then re-encoded with the 33 hertz frequency will blow the mofi vinyl away.
- ...
- 53 posts total
While I would agree it is hard to comment when you have not heard it I can agree with the sentiment in general on the ever increasing spiral of pricing on new and remastered lps. Obviously demand and it being a still booming niche market has a big effect on pricing but $100+ for new records? Now I will admit to having paid just over $100 for some older rare records that I wanted to complete my collection of a certain artist and that again is market driven and maybe more fool me...lol. |
I own all the MFSL Ultradisc and as far as I am concerned, Blood On The Tracks is a priceless collectible for one simple reason. The first thing my 2 year old grandson would say to me in the morning is "Bob Dylan". He would then point to the music room. We would then go to the music room and he would smile as I put the disc on. We would then sit on the floor side by side and he holds my hand and breaks out in a bigger smile when the music starts. Does life get any better for an audiophile, I think not. |
uberwaltz .... I can agree with the sentiment in general on the ever increasing spiral of pricing on new and remastered lps.Parts of our little hobby have always been pricey, so it can be amusing when some object. That’s particularly true in this instance if you consider the facts. The premium LP market really began around the mid-’70s with labels such as MoFi, Nautilus, and Sheffield, and coincided with the nascent hi-end audio industry that companies such as ARC and Mark Levinson were defining. At the time, most of those records cost around $20 - sometimes a little more, sometimes a little less. That was a lot of money back then, when the list price for a new LP was typically $6.98 and could be bought on sale at Sam Goody or Korvette’s for about $4. Using the government’s inflation calculator, that $20 premium record in 1975 would cost about $100 today. So a two-LP box set at $125 isn’t such a crazy price. I’m sympathetic to those who think that price is too steep - I’ve never spent more than $50 for any LP - but it isn’t really accurate to claim it as an example of an "ever increasing spiral of pricing on new and remastered lps." three_easy_payments How do you justify the cost of anything that’s in the collectible market?Exactly. It’s a collectible. |
- 53 posts total