By popular demand.


Several members have requested that I post my system which I have finally managed to do. Please pardon the shots that are out of focus. I am not the world's most gifted photographer or even close. I have done my best to explain things but I'm sure there will be at least a little confusion do please ask questions. Most of the requests have occurred here in analog so I posted it here. There is an analog component but it is rather plain Jane in comparison to the rest of the system. 
128x128mijostyn
Golly noromance, the thing is 20 years old. It certainly is not 4K. I am itching to get a laser projector but the prices are still too high. My screen is 113" diagonal. Even an 85" flat screen would look sort of lost between the speakers even though it would have a much better picture during daytime hours. The new laser projectors are three to 5 times as bright and the bulbs last 20,000 hours. This should fix the wash out problem I have during the day. 
Mine was old too -a 1024px on a 92" screen and the 65" 4k simply blows it away. Admittedly, your space is larger.
I Googled 4k projectors, and would you look at that? Not too expensive. Just as well the roll-up screen is still there!
Yes, regular projectors are not too bad but the decent laser ones are still crazy. The JVC unit is down to a paltry $25,000. 
Watching the Russian GP right now. It would be nice if someone could win besides Mercedes.
Digital? At this point all I do is turn it off and one and listen just like any other system. Vinyl still wonderfully analog. The system is like a big set of headphones except the band is in front of you and not in your head. Look at the screen shot of the Acoustat measurements. Look how different they are above 2 kHz. They are 20 dB apart in places and the set up is almost perfectly symmetrical. What you can not see is an alcove on the left and a window on the right. Below 2 kHz they run together pretty nicely but there are still 5 dB differences in places. Remember, these speakers are as simple as it gets, no crossovers just identical electrostatic panels. You have the transformers but there is no way they would be that far off. It is all the room. If You measure anyone's system you are going to see stuff like this. Imagine what this does to the image. I can bypass the room control by remote and the comparison is almost silly. If you had not heard the corrected system you probably would think the system was pretty good but, you punch in the room control and everything snaps into focus, game over. 
Initially, there was a steep learning curve. Once you learn how to program it then you have to figure out what you want to accomplish. This is a matter of trial and error tuning until you get what you want. It took me probably five years until I stopped tuning. The only time I have to work with it is when I change amplifiers or move the speakers. Then I have to set up the mic and take new measurements and reprogram all the presets which is straight forward. 
The single major problem with these loudspeakers is they are very selfish. Once you move off center the high frequencies drop off fast.
This is why I want to switch to Sound Labs 845's, much better dispersion. 
The plastic mats on the floor in front of the speakers are electrified, cat control. Better a little zap than the big one he would get behind the speakers. Plus, they are the ultimate scratch posts. 
Once you move off center the high frequencies drop off fast.
I have naked Quad ESLs!