When is digital going to get the soul of music?


I have to ask this(actually, I thought I mentioned this in another thread.). It's been at least 25 years of digital. The equivalent in vinyl is 1975. I am currently listening to a pre-1975 album. It conveys the soul of music. Although digital may be more detailed, and even gives more detail than analog does(in a way), when will it convey the soul of music. This has escaped digital, as far as I can tell.
mmakshak
Mmakshak,

Digital is too good for two channel playback, it reveals the short comings of not having a proper speaker setup. Two channel isn't very good now that we have pushed the envelope of source performance this far which is why some of the best LP playback equipment begins to sound thin and less "musical" when improved.

I will not argue if you only have a two channel system that LP's maybe the best source for music. Their technical weaknesses actually benefitting the two channel arrangement.

Its been known for a very long time that surround provides a more musically involving experience (60-70 years). The audiophile consensus is that two good speakers is better than 5 mediocre ones and a subwoofer, my experience is too the contrary, just fyi.

Analog specific companies have mastered the art of THD, compression and EQ, and "better" is not a word that can be used to measure the technical performance but simply the subjective sound.

Your car stereo experience is only hinting at the huge gap between 2 channel and multichannel playback for digital sources, don't ignore it. It leads a long way to where you want to go

As Onhwy61 and others directly and indirectly have indicated, without added distortion two channel is a step down in sound, requiring compression and harmonic distortion to make it sound meaningful and full. I have clients who have their noses pressed up against this very problem...more distortion or more channels? Because that is exactly the choice you have if you want to play digital recordings and "feel" it.

To address the typical responses to a post like this let me address two irratatingly thoughtless comments used as a rebuttle to such comments.

1. for the two ears, two channels comments---my answer is stop being a simpleton

2. for the mixed to be two channel crowd, name one commonly used microphone with a 180 degree pickup pattern? Its all I ask. Answer this one and then I'll consider your rebuttle as validated.

D edwards: I've been using 5.1 surround for the last two months (for the first time) and I totally agree that surround kicks two-channel butt (at least with lower priced equipment in a small room).
It's similar to adding a good subwoofer to an already good system -really puts meat on the musical bones.
I don't know if I can articulate this properly. I was playing "Crosby-Nash(a platinum-plus lp), and I asked my brother where the click and pops were. Then I heard some. When I focused on them, it was very disturbing. After thinking about that, one idea came to mind. What if all the non-musical artifacts(maybe rumble,too-anything that didn't have anything to do with the musical message)were separated out in a sense. In other words, when listening to ticks and pops, one also was listening to all(or a lot of)the non-music stuff. That could explain why the ticks and pops drive people crazy.
My ticks and pops submission brings me to a previous point and inquiry. I would suggest that when listening to analog, one listens to the music(and not the ticks and pops). That is how one listens to analog. I, therefore, want to repeat the question,"is there a way to listen to digital?". My Linn Kan's comments were made for the same reason. When one listens to the Kan's, in terms of conveying the beat, they make sense.