@arize84,
An excellent post, so much to agree with.
"The ratio of funds needed to be spent on analog to match digital quality is significant (at least 2x or more).
Disregard any talk about vinyl being better than digital, there are simply too many variables in the reproduction chain for that statement to merit any credibility.
a) Generally listen to music in whatever format it was recorded
b) Get your records from boutique audiophile labels / pressing plants.
c) Most vinyl records pressed today are mediocre.
d) My experience is that the best sounding records are the ones that were recorded and pressed in the 1980s right before CDs took over.
e) Discog reviews are your friend
f) Above all, mastering is key; try to familiarize yourself with the names of the best mastering engineers and studios. A well mastered dollar bin CD will run circles around a minty vinyl record with mediocre mastering.
Records are cool, but they are a lot of work to get right, and unless you are ready to obsess over a bunch of details, and patiently work through a raft of frustrations, you might be better off simply investing in your digital front end and enjoying the piece of mind that comes with that."
This last bit certainly holds true for me regarding vinyl.
"...because when everything comes together it is a sublime experience.."
I recently got hold of a clean copy of Judy Garland’s 1981 Phoenix pressing of Over the Rainbow. Now I just need access to a decent record player to enjoy it again!
If only these lockdowns will finally end...
An excellent post, so much to agree with.
"The ratio of funds needed to be spent on analog to match digital quality is significant (at least 2x or more).
Disregard any talk about vinyl being better than digital, there are simply too many variables in the reproduction chain for that statement to merit any credibility.
a) Generally listen to music in whatever format it was recorded
b) Get your records from boutique audiophile labels / pressing plants.
c) Most vinyl records pressed today are mediocre.
d) My experience is that the best sounding records are the ones that were recorded and pressed in the 1980s right before CDs took over.
e) Discog reviews are your friend
f) Above all, mastering is key; try to familiarize yourself with the names of the best mastering engineers and studios. A well mastered dollar bin CD will run circles around a minty vinyl record with mediocre mastering.
Records are cool, but they are a lot of work to get right, and unless you are ready to obsess over a bunch of details, and patiently work through a raft of frustrations, you might be better off simply investing in your digital front end and enjoying the piece of mind that comes with that."
This last bit certainly holds true for me regarding vinyl.
"...because when everything comes together it is a sublime experience.."
I recently got hold of a clean copy of Judy Garland’s 1981 Phoenix pressing of Over the Rainbow. Now I just need access to a decent record player to enjoy it again!
If only these lockdowns will finally end...