I have all the 2014 remasters on vinyl. They’re as good as it gets for remastering.
I don’t have the CD boxed sets, but I own multiple early and first release CDs. In most cases, the German pressings have the best SQ; very analogue-like with well-defined bass and kick drum which later pressings and remasters lack. There’s very good imaging and soundstaging. These original flat transfers are the reason the original issue LPs are so coveted.
All CDs were first pressed in the UK and Germany since the US did not have facilities yet. Japanese LZ issues have excellent sonics, although they tend to sound more detailed and analytical.
You’re spot on about Mothership. I have the LP and it’s compressed crap.
I learned my lesson about buying rock remasters and now only buy used original releases. There were some rock albums that were such poor quality that remastering was able to create a better version. But that was way before The Loudness Wars started.
I don’t have the CD boxed sets, but I own multiple early and first release CDs. In most cases, the German pressings have the best SQ; very analogue-like with well-defined bass and kick drum which later pressings and remasters lack. There’s very good imaging and soundstaging. These original flat transfers are the reason the original issue LPs are so coveted.
All CDs were first pressed in the UK and Germany since the US did not have facilities yet. Japanese LZ issues have excellent sonics, although they tend to sound more detailed and analytical.
You’re spot on about Mothership. I have the LP and it’s compressed crap.
I learned my lesson about buying rock remasters and now only buy used original releases. There were some rock albums that were such poor quality that remastering was able to create a better version. But that was way before The Loudness Wars started.