SOTA NOVA, HR-X VPI, Technics 1200G recommendations?


I am considering SOTA NOVA, used HR-X VPI and Technics 1200G TTs. I have an old SOTA STAR with vacuum, (and essentially a Jelco 750 arm-retipped Denon 103R) so I know its high quality and durability. Technics apparently has performance that far exceeds its $4000 price tag. For tonearms, I am down to Jelco 850M and old FR-64S. I am considering low compliance cartridges. For VPI, it would be JMW 12 or 3D. Changing the tonearms seems to be more of a hassle on VPI. What are your thoughts and recommendations?
128x128chungjh
Having the removable head shell with a few twists of the screw, and putting on a new head shell, and only having to take 3-5 minutes adjusting the weight is so nice.
we use 4 different head shells and this is a huge plus!
@lewm 

In what way is Technics SP-10 MK3 better than MK2? Is the SQ difference dramatic?
In my opinion, people who always blabling something about “vibration” are living in the earthquake area, probably right on top of the vulcano or very close, ***becase I really don’t understand what they are talking about***!? Using over 6 turntables at home I never ever noticed any audible problem with vibration, I’m using custom made metal racks on parquet floor.

Vibration is a problem on the dancefloor packed with 500 jumping people near 10 000 watts sound system - this is where turntable definitely must be seriously isolated. But even there you will see Technics DD in use!
@chakster  (Emphasis added above) This is what they are talking about:


If you really want to hear what your recordings actually sound like, controlling vibration in the turntable is paramount to that goal. I'm not talking about people on a dance floor, I'm talking about vibration induced in the turntable by the loudspeakers. In a nutshell, if your system sounds harsher at higher volumes particularly when playing LPs, this is something to look at! The vibration need not be very much, in fact it might be microscopic. But so is the groove of the LP.


To this end, if the platter is able to vibrate in a different way from the base of the tonearm, this will enable to the pickup to see that vibration and it will induce a coloration. To prevent this, the platter surface and base of the tonearm must be coupled in a very rigid and acoustically dead manner. In this way the platter and base of the arm will vibrate in the same plane if it vibrate, this preventing the vibration from being picked up by the cartridge.


Well, maybe because I never used a shitty turntables in my system, also made custom racks exclusively for them. And with a good metal mats on my direct drives everything was good.