My view of Strauss' music is that it is more of a simplistic, romantic music, that you can easily hum along with, or in you head without, a recording. Much like Tchaikovsky, only more developed and interesting (to me). As such when you are listening to your stereo system you are hearing a focused tune, one that comes from more from the center.
Mahler, not so much. Even though you might be very familiar with it it is not music that lends itself to easy memorization. You may know it well enuf to anticipate what is about to happen but, apart from the performance, you don't walk about humming a tune. In other words it is music that involves you. Its not background music! The music itself goes from ethereal and quiet to loud and dramatic. Tonal to atonal and back again. Angst and shear beauty alternate.
Bottom line, as I see it anyway, its not your stereo system so much as it is simply that you are really listening to Mahler more attentively, and quite possibly because of the drama inherent in Mahler's music, more loudly. I can't believe how loud I play the last movement of Mahler 2. :-)
FWIW, a POV from the unwashed.
Mahler, not so much. Even though you might be very familiar with it it is not music that lends itself to easy memorization. You may know it well enuf to anticipate what is about to happen but, apart from the performance, you don't walk about humming a tune. In other words it is music that involves you. Its not background music! The music itself goes from ethereal and quiet to loud and dramatic. Tonal to atonal and back again. Angst and shear beauty alternate.
Bottom line, as I see it anyway, its not your stereo system so much as it is simply that you are really listening to Mahler more attentively, and quite possibly because of the drama inherent in Mahler's music, more loudly. I can't believe how loud I play the last movement of Mahler 2. :-)
FWIW, a POV from the unwashed.