Have you guys used stock feet or some of the new vibration isolating feet under your CD or CD drives(or any electronics). I've found they make obvious improvements to all electronics(at least in my system) and especially on CD drives(I use a seperate DAC). It wasn't just a better version of my drive. It was like another way more expensive drive. I know it works on a Cambridge drive. I wonder if the isolating feet make significant affects on these super CD drives especially since it appears they inherently handle microphonics better than less costly drives. It would be interesting to see the affects of these feet on super drives.
A phenomenal new CD transport-Pro-Ject CD Box RS2 transport
I have had in-house for the last week Pro-Ject's new CD Box RS2 transport to review for the website Stereo Times. I was very curious to assess its performance because it uses the Pro 8 drive with the Blue Tiger CD-84 servo card. This drive was developed and built by StreamUnlimited a company started by the original Phillips designers that historically built the finest CD mechanisms. Only two other companies use the StreamUnlimited 8 drive and Blue Tiger CD-84 servo card, their pieces cost $16,000 and $39,000 compared to Pro-Ject's sane price of $3,000!
My reference for the last two years has been the excellent Jay's Audio MK-II transport that had out-performed much more expensive highly regarded transports in my system. Well, across every sonic parameter (transparency/micro-details-overall dynamics/bottom-end extension/purity of tonality- a much more airy sound-stage with wonderful 3D imaging) compared to the Jay's Audio transport.
That's way I titled this thread a "phenomenal new CD transport" because while not inexpensive, it just might be a bargain based on its performance. Mind you, this superlative level of performance is based on using the switching power supply that Pro-Ject ships the transport with. I have shortly coming a custom 20 watt 3 amp linear power supply from Linear Tube Audio and Pro-Ject's own upgraded power supply to see if the RS2 transport performance will even go to a higher qualitative level of performance.
I'll be writing a full detailed review for Stereo Times in the near future. However, I wanted to share this information to GON members who still spin CDs. I have had numerous CD transports in for evaluation and this just might be the best sounding of all of them.
Teajay (Terry London)
My reference for the last two years has been the excellent Jay's Audio MK-II transport that had out-performed much more expensive highly regarded transports in my system. Well, across every sonic parameter (transparency/micro-details-overall dynamics/bottom-end extension/purity of tonality- a much more airy sound-stage with wonderful 3D imaging) compared to the Jay's Audio transport.
That's way I titled this thread a "phenomenal new CD transport" because while not inexpensive, it just might be a bargain based on its performance. Mind you, this superlative level of performance is based on using the switching power supply that Pro-Ject ships the transport with. I have shortly coming a custom 20 watt 3 amp linear power supply from Linear Tube Audio and Pro-Ject's own upgraded power supply to see if the RS2 transport performance will even go to a higher qualitative level of performance.
I'll be writing a full detailed review for Stereo Times in the near future. However, I wanted to share this information to GON members who still spin CDs. I have had numerous CD transports in for evaluation and this just might be the best sounding of all of them.
Teajay (Terry London)
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- 339 posts total
- 339 posts total