+2 on looking at the Treo's
I own the non-CT version (after owning the 3a sigs), and find them to be significantly better- sound wise.
@patrickdowns,
Nice Post!.
Bob
Vandersteen 1C to 3A Signature
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I would suggest something, um, outside the box. 10 years ago, I decided to replace my 1Cs. The 2Ces were a little too large, physically, for my room. I ended up with a pair of Ohm Walsh 2000s, and 10 years later, I haven't regretted it for a minute. Based on your room size, you might require the Walsh 3000 or 4000. The drivers sit proud of the cabinet, no boxy sound here. Quite capable in the bass, and you can crank them without any congestion or loss in sound quality. They come with a 120 day return option, but you will the lose the shipping round trip if you return them. |
I've heard good things about the Ohm. In that form factor, the speaker I would audition if I wanted something other than the Vandersteens (front firing), would be the Larsens. Larsen 6 or 8. I say that only because of intriguing reviews and word of mouth. They fire towards each other, throwing up a "wall of sound." Larsen 6.2 review: https://www.theabsolutesound.com/articles/larsen-model-62-loudspeaker Larsen 8 review: https://www.theabsolutesound.com/articles/larsen-model-8-loudspeaker
The Sound In Itself Large-scaled music, where the match between room sound and direct sound is a vital matter, especially illustrates the virtues of the Model 8s. Orchestras sound surprisingly like orchestras, with a transparency that goes not just down into the midrange but all the way down. If you wanted to write down the bass and cello parts of a symphonic composition from listening, these speakers would make it easy. At the same time, the human voice is also very convincing. A good recording of a person speaking sounds startlingly like a real person, something that often escapes speakers that change directivity in the midrange on account of the baffle step. And instruments with serious lower-midrange content sound unusually convincing, as noted. The Larsen Model 8 is to my mind a speaker that everyone seriously interested in audio ought to listen to and at as much length as possible, since one needs to adjust to its quite different approach to reproducing sound in rooms. There are things it does, and important things at that, that to my mind lie at the heart of actually sounding like live music. The approach is entirely different from the near-field, directional speakers that can also claim a really accurate reproduction of what is on the recordings, albeit in a different way. But the approach of the Larsen Model 8s has validity of its own. How speakers should work in rooms is not a very standardized matter. But the way of the Larsens is one of the ways that works. The Larsens, most impressively, really sound the way music actually does sound. The Model 8s are not just another try at making a speaker like all the rest except better, as so many high-end speakers are. Rather, the Larsen Model 8s are something special in their own right. |