Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
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To my hears this guy is the most interesting in style and originality
on the trumpet .

https://youtu.be/Bzb-A3Xb_0U

P.S. frogman , the water I saw was largely  going to come from the Atlantic about 2040-50 without Climate change.

       Means only one thing , too late .
Lee Konitz was on fire in "Motion."  It sounds like he didn't need a rhythm section that day.  He was going where he was going, damn the torpedoes.  Yikes.  Great stuff, thanks frogman.
@mahgister

<<I discovered lately in life that music is the musician first....Not a piece of paper.... >>
Well put.  As amazing as those (European-style) pieces of paper may be, it's improvisational music that best gets through to our souls, isn't it?

Up to age 8 or so, I had mainly experienced mainstream American Swing (via my parents), which, as I see it now, was part of European-Americans' gradual embrace of African-based music.  That's when I started "music lessons" in school.  Back to reading and playing every note, exactly as written on the pieces of paper (with "feeling," of course).  Loved it, and always will.

That said, I regret the loss of those formative years to "paper-centric" study.  Mahgister, I'm sure you get that.