Critical listening and altered states


Ok, this is not a question about relaxing, but about listening to evaluate how the system (or a piece of gear is sounding).

What, in your experience, are the pluses and minuses of altering your state of mind for listening? This can include anything you've used to affect your everyday state of mind, from coffee, beer, scotch, tobacco, to much stronger — and psychoactive, dissociative — additives.

What do you gain by altering your consciousness in terms of what you notice, attend to, linger on, etc?
What causes more details to emerge?
What allows you to stick with a thread or, alternately, make new connections?

Or perhaps you like to keep all those things *out* of your listening; if that's you, please say a bit about why.

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As someone who's critical listening must be as consistent as possible for business purposes (i do some contract designs, mostly as a hobby) variables must be avoided.


So if you listen to A in an altered state, ensure that B is in the identical altered state.  Or maybe leave the altered states for enjoyment and socializing. This is not really an opinion - one variable per equation.
G (currently altering his state and listening to Traffic)

@pauly , No benefit? Perhaps pauly you are not all that old. If you are lucky one day you will wake up a decrepit old man, 2 inches shorter and everything hurts. It is hard to have fun that way. I have many old people who manage to make it through the day and actually have some fun because they do marihuana in one form or another. Our life span in the wild was 50 years at best. The warranty is up at 50. I cycle 2500 miles a year. I'm not saying you should not take care of yourself. If doing a little cannabinus helps in that regard that is fine by me. I know several drivers who are safer when they are stoned.
My critical listening is done sober. I find it quite easy to set myself up for it. I go through all manner of listening styles, choose one, and just proceed from there.

It comes from an old creative writing class where one of the disciplines we cultivated was to close our eyes and listen to sounds the teacher made. We were told to imagine images, scenes, colors and whatnot and not to fight it. In short order we were able to dive deep into that practice on a moments notice as a way of warming up for the writing.

I can sit back and "see" all manner of mental images that correspond to the music. Sometimes it can be like a graph. Other times a fluid mechanical representation that’s never the same any time I try it. Sometimes it’s a Tetris like soundstage where the notes (represented by different colored squares) come out into the room based on their intensity and location. That one is a fun one to do and I can call it up at will. The first time it happened it came out of nowhere. It’s not an ability to focus but to just let go and see where it takes you.

When I’ve described it to others, I’d get that look but now I’m the one who feels sorry for those that can’t do what is really a simple trick.
I’m also able to feel the frisson of the music in most parts of my body as well as the emotional connection that frisson produces.

For those unaware of frisson:
Frisson, also known as aesthetic chills or musical chills is a psychophysiological response to rewarding auditory and/or visual stimuli that often induces a pleasurable or otherwise positively-valenced affective state and transient paresthesia, sometimes along with piloerection and mydriasis. Wikipedia
All the best,
Nonoise