Completely disagree about the PMC speakers "keeping with english sound signature."
That is if we presume that "magic full, flattering of the human voice and acoustic instruments" midrange that many find in the classic British speakers (Spendor, Harbeth etc).
The PMCs are just the opposite: they have a "smile eq" built in to their frequency response, pretty much all the consumer models, including the twentyfives:
https://www.hifinews.com/content/pmc-twenty526i-loudspeaker-lab-report
I auditioned a few PMC speakers including the fact 8s and they have a dip in the richness region leading them to sound thin and cool just where the classic British designs are warm and full.
I found the PMC utterly anti-septic sounding. (And Kal Rubinson int the Stereophile review noticed a similar issue, which of course showed up in the measurements too).
People can be lulled in to thinking they are getting a "British sound" just because a speaker may be British. It isn’t always the case. (Just like I’d say the new floor standing Spendors do not share the midrange character of the classic series).