The point of this is not that this or that treatment works, but that it is nearly impossible to make any sort of generalized recommendation--proper treatment involves careful listening and application of products or practices after trying them out.Very wisely said.... Thanks...
All industrial recipe may improve a room, but optimizing a room is not and never a result of a general recipe...I speal here of an usual and normal room use for music.... Anybody with money can redesign the acrchiecture of a room ONLY for music.... The cost then will be very high and possibly higher than the audio system itself.... My advices are for "poor" auddiophiles, about normal room used for music and treated and acoustically controlled at LOW COST.... It is possible....
No room has the same proportion, geometry, and topology and the same acoustic content ...These 4 factors make it impossible, especially if i add a fifith one, the specific speakers demands, to mechanize the acoustic work... EARS is the tool and the main one here....
No general recipe so costly it is will succeed in optimization, only a variable improvement at best....
We must use in a dedicated room not only passive material treatment, but also active mechanical Helmholtz controls to do so .... The room must be treated for the sound circulation waves, but also especially controlled for some specific demand and specific lack from the speakers specific "colored" band emmission.... I use a grid of Helmholtz resonators and diffusers precisely located to "sculp" the room pressure zones FOR the speakers sonic physionomy TO MY SPECIFIC EARS...