So to my ears, does your system lay out the music and make me want to listen and not just how much I love the song.
Happy Listening.
Top 3 songs to evaluate a system
As I read through the replies I noticed that most people seem to pick a song that they actually like or have an attribute that they feel stands out. For example - deep bass, 3D soundstage, type of bass guitar, or pick up a cymbal sound. This is interesting to me as these are recording attributes. I mostly prefer to hear these but I don't use them to judge the sound. How many of you play an instrument or have recorded anything? Not that this may matter. I listen for piano first. What does that sound like as most music is in the mid-range. To me SS cannot offer the piano sound I prefer as the decay of the notes is to my ears to fast. Tubes seem to delay the decay which I prefer as to me it sounds more realistic and I can hear the "wood" of the instrument. Same goes for the sax reproduction. After that I listen for space, separation, and the placement around instruments and vocals. Especially the layering of vocal parts. How separate are they and does the layering seem smeared. Then I listen for backing instruments. I hear many systems that have layering and separation but the tone if off. Drums and bongos especially. Most of these need to have a "boing" or you should hear the skin flex and the body of the drum box. Same as the piano, how is the decay of the notes. Too many times I hear bongos sound like a flat wack. Almost like the drum is made of cardboard. Last to me is the emotion. Does the system portray emotion which I believe comes from the note decay. Shinko resistors from my experience have been the best emotional resistor I have heard. So to my ears, does your system lay out the music and make me want to listen and not just how much I love the song. Happy Listening. |
Since I'm strictly a Jazz analog guy: 1. Charlie Rouse - Epistrophy: The last Concert - Round' Midnight (Landmark Records LLP-1521) Exceptional live recording. The Vibes and Piano can be a torture test on many systems actually to the point of clipping on some systems I've heard this through, but when everything is dialed in, reproduction should be in-your-room real! 2. Christian McBride Trio - Live at the Village Vanguard - Lady in my Life (Mack Avenue Records MAC 1099LP) Another wonderful live small ensemble recording. I attended a performance of this band (different drummer) in an excellent venue...probably better than the Village Vanguard). This comes darn close! Placement on stage mimics the live performance I attended. I use this tune for accurate image placement and to reduce bass bloat which is easy considering Christian's Big Bass sound. Once tamed, the sound is very natural and Christian Sands' solo as with his live performance, is sensational on this tune. It really grooves! 3. Duke Ellington And His Orchestra - Ellington At Newport - Diminuendo And Crescendo In Blue (Mobile Fidelity Sound Lab– MOFI 1-035) All I can say I that if this tune doesn't have you dancin' in your room, something's wrong! |
Here is a list from Head-Fi.org. Not 3 songs, but what's somewhat unique about it is that it tells you what you are looking for e.g. male vocal tone, deep bass, etc. https://www.head-fi.org/showcase/geshelli-labs-j2-dac.25177/reviews
Tingvall Trio “Beat” - piano tonality
Sinne Eeg “We’ve Just Begun” - multiple layer soundstage
Molly Johnson “What a Little Moonlight Can Do” - female vocal tone
Leslie Odom Jr. “Under Pressure” - male vocal tone
Eric Clapton “Change the World” - soundstage, layering and placement
Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre
Adam Baldych “Spem in Alium” - acoustic instrument timbre
Pain of Salvation “Stress” - percussion balance
Michael Buble “When I Fall in Love” - orchestral dynamics
Patricia Barber “Code Cool” - sibilance check
Christian Scott “New New Orleans” - shouty upper mids
Tool “Chocolate Chip Trip” - imaging
Hans Zimmer “Why So Serious” - sub bass extension
Marcus Miller “No Limit” - bass control
Dave Holland Quartet “Conference Of The Birds”- bass check
Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics
Hans Zimmer :2049” - sub bass extension
Cher: Believe - sibilance
Stanley Clarke - Passenger 57 main title - percussion, bass, seperation and placement
Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and seperation
Houston Person - You are my Sunshine - tone and timbre |
So many here I know and use to test. Nils Lofgrem "Keith don’t go" WILL sound good/great on most systems and I want Shelby Lynne to be my baby sitter. If she can’t then please send Patricia Barber. London Grammar, "Hey Now" is one my list too. alanhuth.. nice find esp the Houston Person track I love threads like this as often great music is gathered for my playlists. In addition to all Rodrigo y Gabriela kind of stuff I also use tracks I don’t really typically listen to for pleasure but rather to test. "Poinciana" by Keith Jarrett’s Trio Whisper Not - Live in Paris 1999 is always going to sound great...(Playing now) These will test any system "Bop" Mr. Machine Brandt Brauer Frick..Dare yah! "Toothbrush" Nothing But The Water (Album Version) Grace Potter and the Nocturnals "IDKT" The Books "Koyaanisqatsi" (Soundtrack) Philip Glass first 30 seconds. Points if you last. "Duende" Black Light Syndrome Bozzio Levin Stevens I wish I knew how to share Qbouz playlists |