Top 3 songs to evaluate a system


Hi everyone,

So here is the question: what are your Top 3 music pieces to evaluate a system?

The songs should be complementary to cover a wider range of features, but not necessary. If you only listen to one type of music, it would make sense to only evaluate with this type.

Bonus: identify one good part of the piece where you pay extra attention because this is where the difference between systems is more visible.

I'll start:

Holly Cole Trio - Girl Talk - My Baby Just Cares For Me
Highlight: The vibrating cord at 1:59

MaMuse - All The Way - Glorious
Highlight - The clean guitar and the high drum beat that rythm the whole piece

Metallica - ... And Justice for All (Remastered) - One
Highlight - The first drums at 0:53, but the whole guitar as well


Doing this myself, I realize it's very hard to only pick 3!!

papyneau
Ella Fitzgerald- Sings the Antonio Carlos Jobim Songbook. Dreamer is the  track I use

Stevie Ray and Jimmie Vaughan - Family Style.  Tick Tock People is the track

Shelby Lynn - Just a Little Lovin. I Only Want to be With You

Here is a list from Head-Fi.org.  Not 3 songs, but what's somewhat unique about it is that it tells you what you are looking for e.g. male vocal tone, deep bass, etc.  

https://www.head-fi.org/showcase/geshelli-labs-j2-dac.25177/reviews

 

 

Tingvall Trio “Beat” - piano tonality

 

Sinne Eeg “We’ve Just Begun” - multiple layer soundstage

 

Molly Johnson “What a Little Moonlight Can Do” - female vocal tone

 

Leslie Odom Jr. “Under Pressure” - male vocal tone

 

Eric Clapton “Change the World” - soundstage, layering and placement

 

Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre

 

Adam Baldych “Spem in Alium” - acoustic instrument timbre

 

Pain of Salvation “Stress” - percussion balance

 

Michael Buble “When I Fall in Love” - orchestral dynamics

 

Patricia Barber “Code Cool” - sibilance check

 

Christian Scott “New New Orleans” - shouty upper mids

 

Tool “Chocolate Chip Trip” - imaging

 

Hans Zimmer “Why So Serious” - sub bass extension

 

Marcus Miller “No Limit” - bass control

 

Dave Holland Quartet “Conference Of The Birds”- bass check

 

Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics

 

Hans Zimmer :2049” - sub bass extension

 

Cher: Believe - sibilance

 

Stanley Clarke - Passenger 57 main title - percussion, bass, seperation and placement

 

Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and seperation

 

Houston Person - You are my Sunshine - tone and timbre


So many here I know and use to test. Nils Lofgrem "Keith don’t go" WILL sound good/great on most systems and I want Shelby Lynne to be my baby sitter. If she can’t then please send Patricia Barber. London Grammar, "Hey Now" is one my list too.

alanhuth.. nice find esp the Houston Person track

I love threads like this as often great music is gathered for my playlists.

In addition to all Rodrigo y Gabriela kind of stuff I also use tracks I don’t really typically listen to for pleasure but rather to test. "Poinciana" by Keith Jarrett’s Trio Whisper Not - Live in Paris 1999 is always going to sound great...(Playing now)

These will test any system

"Bop" Mr. Machine Brandt Brauer Frick..Dare yah!

"Toothbrush" Nothing But The Water (Album Version) Grace Potter and the Nocturnals

"IDKT" The Books

"Koyaanisqatsi" (Soundtrack) Philip Glass first 30 seconds. Points if you last.

"Duende" Black Light Syndrome Bozzio Levin Stevens


I wish I knew how to share Qbouz playlists

I recommend the followings to name a few:
1. TakeDake: #6 Japanese Roots
- breadth and depth of soundstage, instrument separation and dynamics;
2. Voodoo by John Zorn & The Sonny Clark Memorial Quartet
- bass, edgeness of alto saxophone, keyboard notes reproduction, separation, transients, treble extension (airy highs of cymbal); and
3. London Symphony Orchestra - Bohemian Rhapsody, Classics. 
- Let you test everything when the music/intruments/vocals get busier.
@hilde45 - we’re on the same wavelength... Shelby Lynne’s "Just a Little Lovin" cover to cover is a benchmark whenever I’m giving new gear a twirl. My mother used to play Dusty "Live in Memphis" on her Mac/Thorens/AR rig till the wheels fell off! Big fan of Hans Theessink, "My Girl" off Sounds of the Southland & Derrin Nauenforf, "Danielle" & "Ghost Town" off Live at the Boardwalk" too when trying on new speakers. Simple stuff but the decay of plucked strings speaks to me. Most anything by Ben Harper; always clean and snappy. Like JJ Grey and Mofro’s "Lockloosa" - wildly satisfying. Could keep going... Beck, "Cycle" & "Morning" off Morning Phase give you some deep clear bass that is pretty telling. Anyway, great topic 👍