Forum admiration and requested guidance


My day starts by reading the top post on this site while drinking my morning coffee. I have been a audio enthusiast since the early 1970’s, with my mother playing Elvis, Jerry Lee Lewis and The Supremes on vinyl every Saturday morning while growing up.

I’ve always had an analog system to play, and cherish my vinyl collection. It started with my first purchase in 1975 with Led Zeppelin Houses of the Holy and expanded over the years.
Advance 47 years later and I’m finally in a point of my life to splurge. My wife and I put three children thru college and she has given the approval to spend a little money for my love of the audio hobby.

Today I have the following system and looking for advice on going up the ladder of sound quality improvement.

- VPI Scout with JMW 9” arm and Hana SL cartridge 
- Elac PPA-2 phono preamp
- Vincent SA-32 preamp
- Parasound A23
- Q Aqoustics 3050i

some of the biggest improvements since building this system have been in the interconnects. I went with the Mogami 2549 interconnects and Canare 4S11 speaker cables. These really opened up the soundstage and appealed to my ears.

My music room is modest at 10 x 18 with 9 foot ceilings. Please don’t advise to enjoy and buy more vinyl. I truly look up to your advise and suggestions on next steps to improve. My budget today is $10k, with an additional $10k in mid 2022.

Thank in advance to feedback from this outstanding group.

128x128vette5451
@vette5451- I guess I’d ask what you are looking for-- what do you think your present system lacks and what do you want to accomplish by upgrading and improving it?
In this post-Covid world, it may not be as easy to get seat time, but unless you’ve heard what really good systems are capable of reproducing, you have no reference (other than real music, but that’s been in short supply until recently for the same reason). If you aren’t in a city which is rich in audio at retail, that puts you into the realm of travel, and I gather air travel these days is suboptimal.
My point is to get your ears around some systems- usually the best way is other people’s homes where somebody has taken the time and care to put together a very good system. There are some known usual suspects here who are usually glad to accommodate.
There is a balance in working with a dealer- since they can range from awful to superb, but there’s a lot to be said for a dealer that delivers service, making the experience fun and not frustrating (providing loaners, helping troubleshoot, etc.).
It’s kind of hard to describe the sonic experience in words without sounding either overly simplistic or too effusive. The real deal is you in the room, listening to recordings-- as many different kinds as possible and not just audiophile spectaculars.
The other part of the equation is the room. Room treatment is often put into the same category as cables and other tweaks- not saying it isn’t necessary (I use bass traps in strategic places in my room), but you can get oversold on so many things. I’d start with the basic system and worry less about acoustic treatments and more about getting the system situated in the room to optimize performance, something that is part science and part art.
It took me some years to dial in my current system (core was revamped 2006-7 with upgrades along the way) but when I moved states (and in a different room and house), I was able to dial it in faster because I knew what the core system could and should do.
This is a fun thing. I would not get caught up in brand name battles right now-- the key, in my estimation, is exposure. Hear what some top dynamic speaker systems can do with big power; I use horns and SET amps which is a totally different path; and dipoles or planars are also a way to your goal.
I think one tends to focus on speaker first and that’s fine- as long as you are matching with appropriate amp that "synergizes" with the speaker. I’m in a place where if I upgrade at this point, I want to keep the amps I’ve been using in place and they are relatively low power (18watt) pieces, so I’m constrained to a degree by that--
Take your time and leave your wallet at home. Online sales are great, as is the ability to buy direct, but that puts you in the driver’s seat in terms of choices-- so long as you have the ability to return for a refund (possibly less a repack fee, but in any event from a reputable dealer).
I’ll stop now. :)

@rsf507 

I am intrigued with the streaming direction, but not sure where to start. Any suggestions on that path?


Your "music room" isn't defined-living space with a stereo or a dedicated room that's been treated

If it's the former, you haven't heard your gear in their best light. That's your baseline.

Once the room is figured out, I'd get much nicer  phonostage and minimum 2 subs. Blow as much money you can tolerate on the BIGGEST set of floorstanders you can cram in the room.

Upgrade the rest as itch/funds dictate.

I'd avoid.... uh, never mind. 
tablejockey it’s an office that is dedicated to 2 channel listening. I meant to add that I do have one Rel subwoofer in the room.
@vette5451

nice to read your original post

i am basically with @ghdprentice on his thought to spend most of the budget on better speakers

my one add to that main thought is leave aside $1500 of it on a bluesound node and a modest, good sounding standalone dac to start streaming (and a tidal or qobuz subscription) -- there is so much joy in having all the world’s music at your instant beck and call...