Musetec (LKS) MH-DA005 DAC


Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."

melm

Wow! Thank you for sharing the information @pt999  I was ready to pull the trigger on the 005. The plan was do compare it to my Luxman and return if it didn’t cut the mustard. Surprised no one else bothered to mention this important fact. 

For me, connecting with the music is paramount and significantly more important than detail retrieval. This was my main issue with Topping D90 and Chord Qutest. If the 005 is cut from the same cloth, regardless of the quality of parts, it’s basically a no go for me. Too expensive to audition. Moving on. 

Lots of haters..from Aurender to Musetec and beyond...lol.

Been waiting 10 days for mine already and it hasn't shipped yet so there must be quite a long queue.

After I've run my Musetec in for a month I'll give you my thoughts.

@pt999

@arafiq

I respect the fact that pt999 might prefer the May over the Musetec and would be willing to pay the difference. One cannot argue taste. In one of my recent posts I have said the same. By the way, IMO it needs more than a week of break-in due to some very special capacitors in the analog section.

However, about your purchase and return. Sorry to hear of your dilemma. To my knowledge this is the first reported return of a Musetec. I have never bought from Shenzhen. They seem to have been in business for a long time; they seem to do a lot of business. Up until now we have only heard positive things about them like honoring Black Friday prices beyond the sale dates and pretty reasonable shipping times.

Their "30 Days No Reason Return" policy reads as follows: "After returning the product to the address provided by our customer service team, we can send you a new item free of charge (we will reimburse you the return shipping cost), or you can choose to receive a full refund. Please contact us for Return Material Authorization within 30 days of the order being received." It is pretty simple and pretty clear.

If they don’t honor that policy TO THE LETTER, then that’s what credit card charge-backs are for. Communicate with your credit card bank. Just make sure that you have not already paid your credit card bill for that item until after you challenge the charge and deduct it from your payment. With a 30 day return period that should be easy to do.

All of this seem pretty straight forward and, personally, I would have no problem ordering from them. I have learned to deal very effectively with situations like that. But I can understand if others would avoid.

Finally I would say to pt999 that if Shenzhen persists in these charges you might want to report this to the FTC, and tell Shenzhen you plan to do so. The FTC takes reports like this on-line.

I've never considered return policies from overseas sellers as most efficient way to audition equipment. Between shipping, possible custom fees, time constraints, restocking fees, always sold my audition equipment.

 

No surprising someone finds 005 dac not for them, no dac is for everyone. 005, assuming one's systerm capable of exposing it's resolving capabilities would never be less than engaging, however, its not a flavored component. Some will perceive that as analytical, not soul stirring. There are many recipes available in getting to soul stirring systems, 005 may not be right ingredient for all recipes.

 

pt99 experience is the one criticism I presumed would arise at some point. The recurring thought I have is the person considering tube dac or R2R dac for their reported flavorings will be those most likely to not like 005.

 

Some want digital to sound like vinyl, a futile effort in my opinion. I do accept digital can be more or less forgiving, but analog, no. I have pretty nice analog setup, and grew up listening exclusively to analog so I think I have pretty good idea of what analog sounds like. For me, digital doesn't have the TIMING of analog, analog has a sense of relaxation, ease I've never heard from digital. Highly resolving dacs only accentuate this difference in systems not optimized for digital. The same dac that sounds analog like in one system may sound harsh, analytical in another. 005 requires every single aspect of system to be optimized for digital in order to show it's full capabilities. One shouldn't expect it to sound just like vinyl, for some thats no go, reason they don't care for any digital. As for sense of actual performers in room, this is reachable for digital, and 005 in particular. For me vinyl is romantic, warm and fuzzy feelings, 005 digital totally engaging, exciting, both satisfying in own way.

 

From my perspective, 005 is nearly last piece to put in already digital optimized system. Streaming needs to have top notch network, usb renderers, cabling, etc. home AC cleaned up, no grounds issue, room treatments, and of course sympathetic amp, pre, speakers, top notch transport for cds. If 005 purchased prior to full system optimization very likely one will be working on rest of system to obtain full capabilities of 005 or selling unit.

 

In this, I don't think 005 different from any highly resolving piece, it will show the warts. One has to pay steep cost to get both highest resolution and soulful presentation, all the t's must be crossed, i's dotted.

 

 

I just came across this article regarding Rick Schultz modding the 004. If Rick was involved it must have got his respect. Rick was the CEO of Virtual Dynamics a company that made some fantastic cables. He made a one off XLR IC for me many years ago which I still use and haven't bettered. Does anyone know where Rick is now? Here's the article: