Merry Christmas to all!
On the subject of practicing:
No question that disciplined practicing elevates one’s playing no matter what stage of one’s development as a musician is at. It is a life (career) long pursuit. To a great artist, there really is no such thing as perfection and while we may attribute perfection to favorite artists, they themselves would be the first to recognize (if not necessarily point out) the imperfections in their own playing. This attitude is really the only path to true greatness.
Having said all that, there are different ways to “practice”. To a certain extent it is a very personal matter and what it takes some players four hours to achieve, someone else might be able to accomplish in one. A very busy artist is concertizing all the time and that half hour of “warm up” in a dressing room before a performance may be all he gets given the very busy schedule. Performance itself helps keep the playing in shape. Developing a personal and extremely efficient practice routine is key. Personal in that it considers the player’s personality and any physical idiosyncrasies or limitations; they all have them to one degree or another.
Some players need and strive for 110% consistency of a particular technical goal during practice. For instance, if there is a particularly brutal fast technical passage in a musical work some strive for accuracy at an even faster tempo with the knowledge that at performance there will most likely be some reduction in the level of accuracy. Conversely, another player may feel that this approach is over practicing and they enjoy the controlled tension that results from aiming for something new during performance as a means of achieving a musical goal for that performance. Regardless, no player becomes the kind of artist considered here without having practiced a tremendous amount of time at various points in their careers. Of course, in the case of the great artists discussed here this all happens at an extremely high and exalted level with the goal of personal artistic expression; always a reflection of personality. A couple of favorite quotes on the topic:
- ”If you sound great practicing, you are practicing the wrong things”
- “If I don’t practice for one day, my fingers know it. If I don’t practice for two days, my friends know it. If I don’t practice for three days, the public knows it. On the fourth day, the critics hear about it” - Ignacy Paderewski (sometimes attributed to Heifetz, or Louis Armstrong)