Piano has stretched overtones. I believe it is somehow related to the fact that string has mass. Extremely long and thin string under extremely high tension would have straight harmonics, but it is not practical. Because of this stretching piano octave is not tuned to double frequency, but a little bit higher when the beating with overtones of lower octave stops, resulting in about 30 cents error at both ends. That is why tuning of the piano is so difficult and also why reproduction of the sound is very difficult as well. Any harmonics produced by the playback system might beat against stretched piano overtones. Overly warm systems produce even order harmonics that sound great with other instruments or voice, but piano sounds almost like out of tune.
How does solo piano help you evaluate audio gear?
A pianist friend just recommended this article and pianist to me, knowing that I'm presently doing a speaker shoot-out. My question to you all is this:
How important is solo piano recordings to your evaluation of audio equipment -- in relation to, say, orchestra, bass, voice, etc.? What, specifically, does piano reveal exceptionally well, to your ears?
Here's the article:
https://positive-feedback.com/reviews/music-reviews/magic-of-josep-colom/
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Great post that explain well why piano is so useful for tuning our system/room... Thanks very much..... My deepest respect....
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@mahgister Thank you. I read this while ago in Wikipedia. The title was Piano Tuning. Opinion about sounding "like out of tune" was expressed by John Siau - technical director of Benchmark. |
@brownsfan and others, I've been listening to the 1.5 minute piece, "Britten’s Serenade for Tenor, Horn, and Strings." It's an outstanding test, easy to get to know, and very revealing. |
- 90 posts total