I don’t think anyone is advocating censorship, just maybe a little pause and self reflection. Debate (if indeed this is what @exflute had intended and I don’t believe he did) need not be disrespectful or loaded with vitriol. Important to ask before react…not that I’m never guilty of being reactionary, but have found that too often we simply misinterpret intention.
I perform music in a jazz chamber context pretty regularly. I can appreciate what he’s saying here. But I also very much love the process of tweaking and experimenting with my setup (and room) to see how sonically compelling my system can become. Cables (and everything else) can influence tonal color, response, stage width, depth etc.
But the feeling (goosebumps) I get from listening in front of my system is set apart and completely different than when playing in a jazz trio, quarter, quintet. And add to that - when playing for an appreciative and attentive audience to boot.
@exflute did any one here actually ask about your system? And/or, would you be willing to try other changes or tweaks to your system to see what improvements could be had? I’d be curious to know what you’re working with - modest or not - as I believe GREAT sound can be achieved for far less these days.
But I only ask this if you are compelled to seek said changes in sound and tonal nuance. As that in itself can be both frustrating/expensive when it does not make an improvement, but also exhilarating when it does.
Either way, I respect your perspective, and your wonderfully experienced ears 🙏🏼