I still think the 005 is a fabulous bargain even considering that streaming and preamp are not built in. I had a decent preamp already in the chain as do many others so no extra expense there. Thanks to your comments and those of others, I learned of the benefits of streaming after I bought the 005. Still, spending less than $1000 for the streamer, cables, and optical "filter" probably has gotten me most of the way. I guess my system would fall short short of the best SOTA setups out there. But I would also guess I have gotten 80 to 90 percent there for a small fraction of the cost of the best.
Musetec (LKS) MH-DA005 DAC
Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html
The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."
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@jjss49 Hope I understand correctly volume control is analog based with Briscati, reason I mentioned possible replacement of preamp, of course, only for single source, that being streaming with Briscati.
@dbb 005 certainly has advantage in that initial expenditure much less, one can upgrade streaming as funds allow.
The important thing here is 005 place in dac hierarchy becoming clearer over time. I seems we are not in fact delusional, imagining sound quality that hits far above it's weight vs far more expensive dacs. Its enlightening to see these comparisons as they give us greater insight into areas of possible deficiency and/or excellence. However one determines it's price/performance value, a larger sampling of users discovering it is one nice dac. |
@sns Yes, I agree that if someone is looking for an all in one box solution then the Bricasti is an option together with the Aurender A20, Mark Levinson, Mola Mola etc. But we all know that having at least a separate preamp will sound better. The 005 responds very well to high end preamps, which you would think the opposite would be true because high end preamps will reveal all the warts in downstream equipment. I have auditioned the 005 with some of the best SS preamps in the World, including my own SMC-VRE-1 (out of production), Vitus Audio SL-103 ($30k) and Viola Sonata ($40k). I have also auditioned among others Constellation, Simaudio and Solution but found the above preferable. The 005 was never found lacking in any respect which is usually the case with a lower quality product. It's definitely not "organic" or vinyl or tube like, it's real, warts and all. When did you ever come from a concert and say "Wow, that was really organic!", Never. Instead it will faithfully reproduce Jagger's Souf London accent and Karen Carpenter's Drawl. Plus razor sharp electric guitar and the greatest cymbal reproduction from ant DAC I've ever heard. Listen to Cream's Toad or some Hi-Rez Jazz. Getting back to the Bricasti, it's x8 oversampling which I believe will inhibit the use of HQ Player, which I understand to be the best CA program. Oversampling is not a purist audio feature either. Old school believes the original signal must remain so. Anyway many people will love the pseudo ML design and built by some ex ML employees, and of course it's American! |
"Screaming deal"? Perhaps so, but not so fast, please. Yes the Bricasti has a built in streamer and an analog volume control. But are these appropriate to the fine quality of the DAC function on the unit? In the first place I’ve searched far and wide and cannot find a review or evaluation of the streamer function itself on the Bricasti M1se. The "se" denotes the streamer edition. Then, searching far and wide in this and other forums I find a general consensus that built in streamers on expensive DACs generally are usually judged to be inadequate compared to separates. I am making no judgment on the Bricasti streamer function. But I wonder, really, whether it proves itself satisfactory to audiophiles who are into 5 figure DACs. And I wonder if it would be satisfactory to @sns particularly. Now, someone may read this and tell us that the included streamer outperforms the Aires G2. One never knows for sure. Then perhaps: screaming deal. Like most things in digital audio, streamers are developing at a rapid pace, even faster than DACs. I agree that the addition of a built-in streamer might help a DAC’s sales, even for some who would use it to get started but with plans to upgrade. On the other hand there are now some very good inexpensive streamers available to get started with. (My first streamer with the 004 was my stock Oppo 105, and it was actually pretty good.) And when you upgrade they can be sold. The Bricasti M1 MDx without the streamer is $10,000. The streamer adds $1000. IIUC the knob on the Bricasti M1 is not a volume control, but it is on the M1se. A remote with volume and balance is available for the Bricasti for a steep upcharge. I have only been able to price it in sterling at 549 VAT incl. But again, if you’re running a 5 figure DAC will that be satisfactory? As @lordmelton writes, a preamp does a lot more than control volume and select inputs. None of the several reviewers of the M1 or M1se that I read has written of using the built-in volume control for their review. I do not mean by any of this to detract from the exceptional sound quality of the Bricasti DAC as reported here, and I accept that as a given. What remains, for me is only the question of value for $$. That’s what brought many of us here in the first place. |
I suppose that there is a vernacular issue with the use and meaning of terms. To describe an audio component as organic is in my opinion perhaps the highest compliment that could be paid in reference to it sound quality and presentation. It’s my way of expressing the sound is utterly natural and the antithesis of artificial and contrived. So it seems the term may convey different meanings to different people, not an unusual occurrence. In the past seven or eight weeks I have attended 4 live performances involving acoustic instruments. A classical piano and cello recital and 3 jazz shows in small venues. Organic and utterly emotionally engaging aptly describe what I heard and “felt”. I definitely want every audio product I have in my system to be “organic”. Again for me, the highest of compliments and praise. Charles |
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