Is there a strategy in preamp tube placement?


My SLP-98 has a gain stage and a buffer stage, both with 6SN7 tubes. Do seasoned tube rollers look for different sound characteristics to occupy each position? ex. A tube with good tone and texture in the gain position and a tube with good dimensionality in the buffer stage, or do they use the same tube at both positions? Or is this process truly random?

128x128coachpoconnor

@coachpoconnor

Great preamp! It’s on my list to replace an old ARC SP-9mkll.

Question, did you get the phono section  built in? If so, how does it sound?

All the best.

JD

@pindac "The reports being made on these Tubes are generally good and have got my attention".

For sure. After trying various matched pairs and matched quads of vintage over a decade, along with several loaners from friends, now mothballing them away in storage and going through some of the new boutique tubes coming available the past 1-5 years has been worth it. Following these same engineers from factory to factory design teams is interesting. Linlai are next for me to try.  Some of the better quality and better sounding tubes coming out is a nice option to have. I’m still in the 1-2+ year longevity evaluation phase on my last three quad sets. Time will tell.

 

I settled on the KR Black Glass VT 231, as the best attractor for myself.

I then learned of certain individuals making claims the Linlai E 6SN7 with approx’ 100 Hours usage life has compared favourably to the KR VT 231. The reports being made on these Tubes are generally good and have got my attention.

@pindac , the Linlai Global Elite E-6SN7 are the tubes being praised and compared to Ken Rad VT-231. Available only through Linlai factory direct and Grant Fidelity.

The E-6SN7 available on Ebay are intended for the Chinese market. The Global Elite are for export to the US.