Billie or Ella? Maria or Renata? Technique or feeling?

@edcyn. Now we're remembering Callas, she was an audiophile. At the end of her life, she spent her days listening to her old recordings on reel tape. Prolly master copies. There is a photo of her in her apartment with her tape machine but even the all knowing internet couldn't find it. I'm guessing Revox A77 which was the go to machine in those far off days.

And a Furtwangler fan! See John Hunt's bio of Maria Callas. He was driving her and Beethoven came on the radio. Arriving at their destination, Callas insisted on staying in the car wanting to know the name of the conductor. Upon finding out she poured scorn. Ha! That's what passes for conducting today. We had Furtwangler.

@tylermunns To reduce an artist to a polarized representation of some manufactured binary makes no sense.

One man's reduction is another man's observation. e.g. Steve Vai shredder extraordinaire, but to what end? Technique per se is OK viz John McLaughlin who is shreddier than Steve but there is a musical point to all those rapid fire notes.

I got nuttin' agin' Steve you understand owning two of his signature guitars. Luv the monkey grip.

Steve Vai Zappa band. McLaughlin Miles Davis band. I rest my case.

@chowkwan 

"I stand back to no one in my admiration for Ella Fitzgerald's technique but all the vocal fireworks make for precious little emotion. Billie Holiday on the other hand makes you feel she's singing just for you."

You do realize that you're describing your subjective experience here as though it were objective, right?  

The issue of whether or not an artist communicates emotion is complicated by the fact that the listener is an integral part of the experience. What the listener perceives is deeply conditioned by all sorts of subjective factors. 

I've played CDs that I find very emotive for friends, only to witness them sitting  impassively. Clearly they've had a very different response. I don't believe this disparity can be explained simply by analyzing how technically proficient the artist in question may or may not be. 

I'm guessing there are many fans of guitar shredders who'll assert they experience intense emotion from listening to their idols' gymnastics. For me, it's about as gripping as watching someone lift weights but they'd probably find Otis Rush or Roy Buchanan boring. 

One guy who started out as a shredder and evolved into (as I hear him) a highly emotive player is Ritchie Kotzen. His Live in Japan YouTube video is a great example. 

Great topic, BTW. 

Both are great but Callas was a better actress. Given her life story, she had to be.

There's a great line in the comments section by Larry Mitchell,

"Tebaldi songs with a gorgeous voice.  Callas speaks to the gods."

@stuartk You do realize that you're describing your subjective experience here as though it were objective, right?  

You do realize you're not me so how do you know my subjective experience isn't objective, right?

@stuartk I've played CDs that I find very emotive for friends, only to witness them sitting  impassively.

You need better friends. I kid. I kid.

Anecdotally, I had the opposite experience playing a semi bombastic recording to a friend who rocketed out of his chair exclaiming Wow! That's the kind of full orchestral music I love! I was taken aback at the extent of his enthusiasm albeit gratified that he liked the recording so much (Kyung Hwa Chung playing Prokofiev's Violin Concertos).

@stuartk I'm guessing there are many fans of guitar shredders who'll assert they experience intense emotion from listening to their idols' gymnastics.

I have heard that proposition from fans of the violinist Jascha Heifetz who had superhuman technique. With age, I can meet them halfway. e.g. Heifetz/Reiner in the Tchaikovsky Violin Concerto. Nice nod to Mr. Buchanan. 

This technique vs feeling carries over into other walks of life. My chess hero Tal was known as the Magician from Riga. He would make one spectacular sacrifice after another until finally he somehow had his opponent cornered. His opposite was the calculating Keres but sometimes they'd jump into each others territory and Keres would play with flair while Tal became all neat and tidy.

I have to mention Ayrton Senna in F1 and his nominal teammate Alain Prost. There is a famous clip of Senna at Donnington in the rain coming from fifth place to pass the greats of his day as if they were standing still to take the lead. All before the first lap was over! 

Back to hifi. If you take the line that all is subjective to its logical end, what are we even doing here? Does it mean anything when someone says that a particular piece of equipment transported him to musical nirvana? We can cloak our opinions  in objective sounding language like the midrange was superb or I could really see the images of the instruments but it's all subjective is it not? Only if we accept that there is value in the subjective is there any point to a forum like Audiogon.